Word: tamora
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Dates: during 1990-1999
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...spoken military man of the past; his rival, the emperor Saturninus (Cumming), is pure oil of modern politician, oozing endearments and threats, riding through Rome in an open limo with a bubble top, seizing and betraying Titus' daughter Lavinia (Fraser). Tattoos abound, on the royal Goth captives led by Tamora (Lange) and on the Moor Aaron (Lennix). A big band plays at Saturninus' Saturnalia; heavy metal accompanies the Goths. A tiger stalks the forest...
...revenge melodrama that makes Hamlet pale in comparision. Set in ancient Rome, it traces the conflict between returning military hero Titus Andronicus (Padriac O'Reilly '98) and the late Emperor's son, Saturninus (Henry Clarke '00), to whom Titus cedes the throne. Trouble arises when Saturninus marries Tamora (Danielle Sherrod), Queen of the subjugated Goths, after being turned down by Titus' daughter, Lavinia, who instead marries Saturninus' younger brother Bassianus (Jesse Conrad '00). For Tamora bears a grudge against Titus and his sons for executing her own eldest son and is determined to seek vengeance. Various complications, and a great...
...still manages to suggest the violence in some interesting ways--most notably the scene in which Tamora, Queen of the Goths, and her sons Demitrius and Chiron, seek audience with Titus: it's transplanted into Titus' bath, accentuating the play's obsession with human flesh. Indeed, as if to further this alternative method of presenting this obsession, nearly all of the principal characters at some point or other are at least partially undressed. However, music, sound and lighting, much more than the actual set, are used to evoke an eerie, faintly unearthly atmosphere, and do so effectively. This is more...
...like them in her thirst for revenge--which she manages to convey without uttering a word. Interestingly, even in the beginning, Zimmett makes it clear that Lavinia isn't quite the paragon of innocence and virtue we might expect: there's an amusing non-verbal interplay between her and Tamora, in which she leaves no doubts as to her opinion of the barbarian prisoner...
...three most dramatically com- pelling figures--Titus, Tamora and Tamora's lover, Aaron the Moor (Uche Amaechi '99)--Sherrod, as the vengeful Tamora, is the most successful. Exuding an air of darkly brooding, smouldering bitterness mingled with a strangely tragic Cleopatra-like dignity, she somehow makes one feel she's as much sinned against as sinner...