Word: sviatoslav
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Dates: during 1970-1979
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Soviet authorities recently granted an exit visa for Sviatoslav I. Karavansky, a Ukrainian translator who spent 30 years in Soviet prisons before his release in September...
...another Ukrainian dissident invited to come to Harvard has been released from Mordovia. Three times in the last two years, the Department of Slavic Languages and Literatures invited Sviatoslav I. Karavansky, a translator, poet and literary critic from Odessa to give two lectures on "problems in the translation of classical English texts in Ukrainian...
...announcer's list. Says she: "I would listen to myself being obliterated." Slava adds: "It was like a slow-motion plan against us. Step by step. Already, our names could not appear in newspapers. My recordings were not played on the state radio." When he performed with Pianist Sviatoslav Richter, only Richter's name appeared in the next day's reviews. Rostropovich concerts were canceled everywhere. "I request engagements in other countries," says Slava, "and Ministry send telegrams saying, 'Rostropovich ill.' They cancel my television appearances. Why? They say, 'Oh, Rostropovich is not very talented. He is bad cellist.' Suddenly...
...been different. Harold Shaw, the new man at Hurok Concerts, is regarded as a sound businessman. His abilities as a starmaker in the Hurok tradition are less well known. Despite the recent depletion of its talent roster, Hurok Concerts still handles a respectable array of artists, including Van Cliburn, Sviatoslav Richter, Henryk Szeryng, Nathan Milstein, Janet Baker, Nicolai Gedda and Artur Rubinstein. One of the joys of the new Shaw-Hurok liaison, said Shaw last week, is that now Guitarist Bream and Mezzo Baker can give joint recitals in the U.S., as they have in England. One of the things...
Brahms: Sonata No. 2 in A, Op. 100; Prokofiev: Sonata No. 1 in F Minor, Op. 80 (David Oistrakh, violin; Sviatoslav Richter, piano; Angel Melodiya; $6.98). It was the perfect pairing, Oistrakh and Richter, on the most famous of the Brahms sonatas for violin and piano. This recording was made during a 1972 Moscow recital, 2½ years before the death of the great Soviet violinist. With loving attention to detail, at times unexpectedly puckish. Richter traced each phrase. No question, however, the show belonged to Oistrakh. Springlike and tender or with great gusts of Wagnerian passion, the music flowed...