Word: sugarman
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...insecurities, in a scene that speaks to her strength of character. And although this Cinderella can communicate with birds—and sings just as sweetly—her talent at one point draws a disbelieving quip from the precocious, ferocious, and hilarious Little Red Riding Hood (Maya S. Sugarman...
...Maya S. Sugarman ’12, head of the HHRA Burma campaign, first learned about the country’s political situation in a high school history class. She has since become deeply involved in human rights work, spending a gap year teaching Burmese refugees on the Thai border. When she contacted the OFA about doing an installation to raise on-campus awareness, she was introduced to Duehr to collaborate on a project with his public art workshop...
...There are so many people at Harvard with something to say that a lot of messages get lost,” Sugarman says. “Art is a good way to get past that. Art attracts a variety of people who are not necessarily into human rights and creates a consciousness of those issues...
...preliminary meeting, workshop students experimented with draping saffron material from trees and considered asking exiled Burmese monks to meditate and pass out rice in the yard—an act that references past demonstrations in which monks symbolically overturned rice bowls to express their dissent against the military. Sugarman, who had envisioned a slightly simpler project, was thrilled by the way her ideas grew during the initial dialogue between the artists and activists in the workshop...
...just a little bit closer to nature in the dark environs of a local cave, but they are promptly interrupted by the appearance of the show’s namesake, played by Walter B. Klyce ’10. After the confused cave creature bites young Ruthie (Maya S. Sugarman), he is taken to the home of the dashing and devilish Dr. Thomas Parker (Adam M. Lathram), where his charming wife Meredith (Megan L. Amram ’10) and daughter Shelley (Samara R. Oster ’13) take charge of his care. What unfolds is a story familiar...