Word: styling
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...crucial exposure in Esquire--but at a price. He revised Carver's manuscripts extensively, cutting out whole pages, changing titles, expelling lyrical passages and moments of uplift. The result was a set of stories more terse and elliptical than the originals, more "minimalist," which was how Carver's early style came to be known...
...entirely diegetic, stemming only from sources within the scenes, such as a barroom jukebox or a beaten-up car stereo. Montgomery’s first somber exchange with Stone, for example, is set to a cheery Beach Boys tune. The movie also resists the impulse to tailor the style of scenes to their emotional underpinnings; in one scene, a woman discovers that her husband has died on the sunniest, most peaceful of early fall days. With a careful hand in these details, Moverman conveys the characters’ hardest undertaking: recognizing that life blithely continues no matter the magnitude...
...beginnings as a self-taught musician, Ho has been pushing the boundaries of jazz, which he calls “quote-unquote jazz,” referencing the term’s origin as a racial slur. He merges African American music with Chinese opera and uses Duke Ellington-style swing in musicals and operas featuring female vampires, mythical monkeys, and now, green earth monsters. His music is arresting, indefinable, and unquestionably dramatic, aggressive in its motifs but always expansive in tone...
...restrained pace for a while before shifting into an incredible stomp for its final two minutes, the unrelenting assault of the opener proves that TCV have no intention of making shiny guitar rock like Foo Fighters or the classic heavy metal of Led Zeppelin. This is very much QOTSA-style, furiously aggressive hard rock...
...This style is most apparent on seven-minute highlight, “Elephants.” The song opens with ninety seconds of guitar assault and screeching riffs. Even after the vocals enter, the attack continues but, extraordinarily, it softens into a couple of beautifully melodic passages. These are short in duration, but they lend a fascinating depth to the song. The lyrics humorously complement the song’s inability to settle on one mood, Homme singing, “No I can never stay melancholy for long,” then snarling as the guitars return...