Word: stripped
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...thing about Jerry Bruckheimer: he really knows how to blow stuff up. As one of Hollywood's biggest and most durable producers, he blasted through Alcatraz in The Rock, tossed an airliner full of psychos onto the Las Vegas strip in Con Air and destroyed a hurling asteroid in Armageddon. In the 1980s, along with his late partner, the fast-living Don Simpson, he changed the movie business forever with a highly comic, highly charged formula of music, muscles and mayhem. Through sales of movie tickets, videocassettes and sound tracks, he has generated an estimated $11 billion. And now, wouldn...
...papers? G.O.P. outrage must be in the same lockbox it rested in when family-values conservatives like Newt Gingrich, Henry Hyde and Dan Burton were found to have indulged in the same conduct for which they were condemning others. Rudy himself is a Morality Czar, trying to shut down strip clubs and block funding for museums he finds offensive to Catholics. He's becoming offensive to Catholics. Can someone shut him down...
...papers? G.O.P. outrage must be in the same lockbox it rested in when family-values conservatives like Newt Gingrich, Henry Hyde and Dan Burton were found to have indulged in the same conduct for which they were condemning others. Rudy himself is a Morality Czar, trying to shut down strip clubs and block funding for museums he finds offensive to Catholics. He's becoming offensive to Catholics. Can someone shut him down...
...years old in 1966 when I became a playwright. I'd been writing a successful comic strip for 10 years, so this was not necessarily a good time to start on a new career. But the Kennedy assassination had hit me hard. Over the next six months, it came to me that we were living in a different America. The country seemed to be on the verge of a national nervous breakdown. And nobody was writing about it. Not then. But I saw it taking place in random acts of violence and the almost casual breaking down of recognized patterns...
...Muller's 1998 biography, is a familiar depiction of the beloved diarist and her family's life in the secret annex. But on Night Two, following Frank (Hannah Taylor Gordon) into Auschwitz and Bergen-Belsen, it becomes a different film. These scenes, unflinching and almost without dialogue (the Nazis strip Anne of her clothes, her hair and her indomitable spirit), make a hard-to-take but overdue answer to the easy optimism of past Diary productions...