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...York City Opera's prima donna and clearly ranks as one of the two or three finest coloraturas in the world. At the New York Phil harmonic Promenade Concert, she sings a selection of Viennese arias and songs by Kalman, Korngold, Mozart and Richard Strauss, displaying a faultless voice that sweeps with elaborate embellishments to feathery, accurate high notes. The audience goes wild and demands an encore. From Santiago, Buenos Aires, Vienna and London come frantic pleas for concerts. Backstage, greeting her well-wishers, Beverly sings the obligatory arioso, I Can't Imagine Being Anything But an Opera...

Author: /time Magazine | Title: Opera: Il Destino di Bubbles: The Libretto of a Success Story | 6/7/1968 | See Source »

...expressed in a greater interest in the material, the linguistic texture, than in the thought content." Literary Critic Maurice Nadeau finds, furthermore, that many young novelists are simply "popularizing or dramatizing the linguistic and sociological findings" of such popular scholars as University of Paris Anthropologist Claude Lévi-Strauss...

Author: /time Magazine | Title: World: Why France Erupted | 5/31/1968 | See Source »

...FESTIVAL. "Elisabeth Schwarzkopf." The world-famous soprano in a recital of songs and arias by Mozart, Schubert, Brahms, Wolf and Strauss. Repeat...

Author: /time Magazine | Title: Television: May 3, 1968 | 5/3/1968 | See Source »

...worldwide outcry that may just save them from extinction. Newspapers from Rio de Janeiro to Paris and Washington focused on their problems. An open letter asking help for the Indians was sent to Brazilian President Arthur da Costa e Silva by a group of French anthropologists, including Claude Levi-Strauss, who set forth his philosophy of structuralism in Tristes Tropiques, which he wrote after studying the Brazilian Indian (TIME Essay, June 30, 1967). Meeting in Mexico, the sixth Interamerican Indigenist Congress demanded protection for Brazil's Indians, most of whom constituted the last primitive tribes outside New Guinea...

Author: /time Magazine | Title: Brazil: The Vanishing Indian | 5/3/1968 | See Source »

When the performance was over, the cheering audience was in a mood to name Bernstein an honorary citizen What he had done essentially was follow Composer Strauss's own advice to interpret Rosenkavalier "with one eye weeping and one eye winking." Thus while most Viennese conductors play down the rich orchestral part for the sake of the singers, Bernstein gave it new prominence, urging it on by jumping into the air and dancing on the podium to Strauss's three-quarter rhythms. And while he captured the elegiac bittersweetness that is at the very heart of the autumnal...

Author: /time Magazine | Title: Opera: With One Eye Winking | 4/26/1968 | See Source »

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