Word: steins
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Dates: during 1970-1970
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...retrospect, the sturdy figure of Gertrude Stein looms over the cultural landscape of pre-World War I Paris like an old-fashioned radio-squat, massive, dark and droning out an endless stream of words. But if her words were sometimes tedious, her eye was seldom wrong. In fact, no American expatriate was a shrewder judge of Paris' radical new art. The Stein family, which came to be known as les Americains, made a powerful buying unit; it helped keep some of the best young artists in Europe alive. Gertrude's brother Leo (an aesthete of some pretension, some...
Daemon of History. However eccentric Gertrude Stein's theories, the flat she shared with Leo at 27 Rue de Fleurus was a salon through which the best artists and writers in France passed each Saturday. Throughout their ten years together at Rue deFleurus, Leo and Gertrude kept buying. One of their first major purchases was Young Girl with Basket of Flowers, a big blue-period Picasso nude for which they paid 150 francs ($29). Soon Gertrude owned more early Picassos than anybody else in France. Picasso dashed off a small Homage to Gertrude, 1909, a parody of Baroque ceiling...
...consider an equally wonderful moment, when Wolfe leaves the Bernsteins' to remind us of a similar party given in Southampton by Andrew Stein to benefit Chavez' grape workers...
...AMERICA," remarked Gertrude Stein, "is the oldest nation in the world." America's architecture, sadly, bears out the comment. In any American city, amidst the incoherence of unrelated structures our inability to appeal to any potential modern sensibility is conspicuous. The descendants of immigrants and pioneers continue to raise disfunctional monuments in archaic styles...
HENRY JAMES, the celebrated literary expatriate of the 19th century, once described America as "a great unendowed, unfurnished, unentertained and unentertaining continent." Paris in the 1920s was mecca for a whole gallery of artistic emigres whom Gertrude Stein labeled the Lost Generation; Hemingway, Fitzgerald, Pound and Cummings led a luminous lot. Now there is a new kind of American expatriate abroad in the world, drawn from the whole spectrum of U.S. society. Collectively, they lack the glamour of their famous predecessors, and their personal motives are different: the expatriates of the 1920s left America looking for art and excitement, while...