Word: starks
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...been under tense surveillance. Only when police were completely satisfied with the accuracy of their tips and leads did they swing into action. They routed the residents out of a four-block area. Hundreds of policemen, Mounties and troops in battle dress were rushed in to encircle the stark apartment building at 10945 Des Recollets Avenue. The electricity was cut off. A nearby school was closed so that it could be used as a helicopter pad. Finally, two hours after the siege began, a lead pipe came flying out of one of the flat's windows. Said the message...
...supported by 100 armored cars, trucks and Jeeps, swooped down on a narrow dirt alley in Saigon and sealed it off. As their house-to-house search began, G.I.s groggy with sleep and drugs scampered in every direction, a few over rooftops, trying to escape. Their women followed, some stark naked, some wearing only pajama bottoms, as spotlights from two helicopters above played on the bizarre scene. When the roundup ended four hours later, 56 girls and 110 G.I.s, including 30 deserters, were hauled off into custody...
...clarity of the social conflict makes all the little details spring alive. The stylized stark setting puts the barnyard in front of the house, puts the in-laws and the aristocratic lover into a flat beige and gold of costume, complexion, hair-proud wigs. Against them all, Dandin's shaggy authenticity strikes out like a bear baited by spaniels. When at last Dandin finds the house empty at night and locks out his wife, the creaking stock situation leaps up with delight while Dandin exults...
...part it is the fixed writer of public renown that he fears and flees. Each of his tales represents an escape to some unexplored realm of the imagination. In the most recent stories in The Aleph, he has made still another escape: from intellectual labyrinths to the raw, stark world of the pampas...
...attack the metaphysical hokeyness of Ingmar Bergman. He criticized Bergman's social aloofness and practice of "vertical cinema." in which the select existential few grapple with the narrow prospects of exhalation or degradation. Widerberg sets up an impressionist. ethereal lightness as the direct antithesis to symbolic heaviness and stark religiosity. Bergman's artificial lighting comes almost invariably form on high to dramatize each Meaningful Truth (or Mystery) revealed by a superior Creator, and, for all the virtues of this kind of film (and there are, I suppose a few), it "expresses an "apolitical." i.c. elitist sensibility. Renoir-like democratic luminosity...