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Died. Admiral Harold R. ("Betty") Stark, 91, ranking U.S. naval officer at the time of Pearl Harbor; of a heart attack; in Washington, D.C. Stark was appointed Chief of Naval Operations in 1939 by President Roosevelt, but after Japan's 1941 surprise attack, he was relieved of his post and transferred to command of U.S. naval forces in Europe. Though highly decorated during World War II, the Pearl Harbor disaster haunted Stark's career. Before his retirement in 1946, he was criticized by a Naval court of inquiry for failing to exercise "superior judgment" during the critical...

Author: /time Magazine | Title: Milestones, Sep. 4, 1972 | 9/4/1972 | See Source »

...really, to fault delegates in this predicament for not boning up on the political significance of the platform. But it is ludicrous to presume, as the Republican Party would have America presume, that these delegates were more than fixtures. The comparison between the Republican and Democratic Conventions was so stark that the Republican theme of an "Open Door" convention dissolves into fantasy at the most cursory examination. Only tangential events like the aimless violence in Miami Beach's streets and bodily assaults on delegates could give credence to this theme by providing reason for a multitude of closed doors...

Author: By Robert Decherd, | Title: A Republican Roadshow Swamps Miami | 9/1/1972 | See Source »

...alist realism". Rather there is careful attention to realistic detail, as in the first long shot of the old country house--with its peeling paint, creaking doors and evanescent charm. Even the interjection of pictures of denuded forest lands and starving children are in context. They portray the stark contrasts between the idle gentry and the destitute peasantry which underly Chekhov's sense of a passing...

Author: By Barbara A. Slavin, | Title: A Surprising Soviet Chekhov | 8/4/1972 | See Source »

...Japanese society. He directs transitions from one locale to another by introducing each new scene with a shot not only loaded with symbolism, but prolonged to the extent that it almost becomes a still. After the opening scene in Shimonoseki, the shift to Tokyo is indicated by the stark image of smokestacks against a smutty sky, and the title "an industrial neighborhood in Tokyo." Setting the mood for each episode with similarly fitting images, Ozu unrolls a cinematic parchment of Japanese prints, the black and white photography of the film heightening its formal links to traditional Japanese art. Each interior...

Author: By Celia B. Betsky, | Title: The Coming of Age in Tokyo | 7/28/1972 | See Source »

...Lutheran investigators say that Glock and Stark did not use correct standards for Christian orthodoxy, since belief in miracles, in life after death and a personal evil spirit is common to many religions. Instead, the Minneapolis researchers used a larger set of indices to define the "heart of Lutheran piety." These include a definite belief in a transcendent order of being (encompassing life after death and the miraculous) but centered strongly on a loving God who provides for man through the saving grace of Jesus Christ. This "Gospel-oriented" orthodoxy, as the authors call it, apparently produces greater compassion toward...

Author: /time Magazine | Title: Religion: The Fruits of Misbelief | 7/10/1972 | See Source »

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