Word: standchen
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Dates: during 1990-1999
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...pick seven crowd-pleasers, but the lied, an intimate genre for solo voice and piano, does not always survive orchestration. The two songs that Brahms transcribed, "Memnon" and "An Schwager Kronos," not surprisingly, were very successful. But Kurt Gillman's "Du Bist Die Ruh" and Felix Mottl's "Standchen" invited exuberance and high volume where restraint and calm would have better served the lilting melodies...
...Standchen" should have been the prettiest of the set, but Dohnanyi's tempo was too fast. It made the song's tenderness debonair. But the last song, "An Schwager Kronos," was perfect. Baer kept close to the text, and the orchestra's playing was wonderfully subdued, until the triumphant final fanfare, which sounded better in the horns than it ever could on a piano. The music was so, compelling that it more than made up for the few previous disappointments. Baer got the loud and abundant applause he deserved...