Word: spartacus
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Dates: during 1960-1969
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...Pianist Evans and Flutist Steig make an effective team. Evans' controlled, persuasively lyrical solos tend to loosen up when goaded by Steig's frenetic flute, and his perceptive accompanying helps tone down Steig's demonic soarings. Particularly on What's New, Lover Man and the Spartacus Love Theme, the interaction results in near-perfection...
WEDNESDAY NIGHT MOVIE (ABC, 9-11 p.m.). Peter Ustinov, Kirk Douglas, Jean Simmons, Laurence Olivier, and Charles Laughton star in the film about pagan Rome, Spartacus (1960). The second half is shown on Sunday Night Movie...
...Kubrick, this dehumanization is more than the result of the undefined force exerted by the monolith and proves a direct consequence of advanced technology. Kubrick is no stranger to the subject: The Killing and Lolita both involve man's self-expression through the automobile; Spartacus's defeat comes because he is not adequately prepared to meet the advanced military technology of the Roman army; Dr. Strangelove, of course, contains a running motif of machines assuming human characteristics (the machine sexuality of its opening titles) while humans become machinelike, a theme carried further in 2001. The central portion...
Fonder Memories. Top of the list for most camera-toting visitors is a version of the famous Brussels marble Manneken-Pis fountain statue and the spectacular 104-ft.-long Neptune Pool, kept a constant 70° while Hearst lived. The pool was last used as a set for Spartacus, and it required no added props. As laid out by Hearst's architect, Julia Morgan, it is surrounded by two Etruscan-style colonnades, backed by a Greco-Roman temple, and fronted by a marble Birth of Venus. Equally awe-inspiring is the 83-ft.-long assembly hall with an immense...
...question about what Kennedy did during his Presidency; the issue seems to be the way he did it. Sorensen's Kennedy is a man of pragmatic instinct, distrustful of liberal intellectuals, his chief preoccupation domestic politics and the domestic economy. He liked football; he liked Casablanca and Spartacus-- "nothing too arty or actionless." Schlesinger's Kennedy is instinctively broadminded; he actually opposed the Bay of Pigs, Schlesinger thinks. Where Sorensen never mentions Adlai Stevenson's name without irritation, Schlesinger sees in Kennedy a bit of an old Stevensonian. Though their personal relations were marred by "a slight tinge of mutual...