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This past weekend, Cambridge was brutally attacked by a play and a movie both detailing troubling boat trips half way around the world. The play, "Female Transport" by Steve Gooch, was directed by Jason Southerland, the Institute for Advanced Training's first year directing student, and showed some artistic potential, but was doomed to failure by its subject matter. "White Squall," Ridley Scott's latest film, was mauled by its script and story, which many reviewers have referred to as "Dead Poet's Society on a Boat." Luckily, both productions were chock full of pleasant visuals for those who enjoy...

Author: By Theodore K. Gideonse, | Title: Row, Row, Row Your Boat to Hell | 2/8/1996 | See Source »

...seems as if the Institute for Advanced Theater Training was not entirely supportive of "Female Transport." Clearly very little money was funneled into the production, and Southerland was forced to utilize a theater space that only Morlocks could love. The set was spare and much was left to the imagination. The sound, full of excellent boat noises and somewhat odd, but nonetheless dramatic music, was not emanating from good speakers. And the lighting was severe...

Author: By Theodore K. Gideonse, | Title: Row, Row, Row Your Boat to Hell | 2/8/1996 | See Source »

...Quincy Cage, a former storage room in the basement of Quincy House, is not an ideal space for a production: it's difficult to light, oddly shaped, and the ceiling is only about eight feet off the ground. Southerland used it well, though. The audience was put inside the cage, facing the prison cell, flanked on the right by the captain's quarter's, and on the left, through a chain link fence, the hallway of the hold. The actors also walked behind the audience. There was a definite sense that you were in the ship (well...

Author: By Theodore K. Gideonse, | Title: Row, Row, Row Your Boat to Hell | 2/8/1996 | See Source »

...Southerland's direction was interesting. He used flashes of bright white light and well-situated still action to show the passage of time, and the frantic, disturbing opening was well conceived. However, the constraints of the space and the lack of good tech clouded any conceptual clarity. Also helping to prevent a tight production were the actors, who fumbled their lines several times...

Author: By Theodore K. Gideonse, | Title: Row, Row, Row Your Boat to Hell | 2/8/1996 | See Source »

...your wallet or purse; a jittery mugger may misunderstand and attack you. Instead, tell him in advance what you plan to do and then move slowly. Always carry some cash with you. If your pockets are empty, some muggers will turn violent out of sheer frustration. Says Detective Ray Southerland of the Dade County public safety department: "Never give an armed robber the excuse he is looking for to work you over...

Author: /time Magazine | Title: If It Happens to You... | 3/23/1981 | See Source »

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