Word: sons
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Dates: during 1970-1970
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Judy Montgomery, 21, is a major in political science at the University of Cincinnati. She lives in the exclusive suburban area of Indian Hill with her parents and her son Nicky, 16 months. She became pregnant at 19 but did not want to get married. "I think having a mother and a father are important for a child, but Nicky can be raised so he isn't scarred. There are now substitutes in society that will allow him to grow up fatherless. I have no feeling of guilt. My only real hassle is with guys I meet who are interested...
...murderers of three policemen who were found handcuffed together with multiple gunshot wounds in the backs of their heads. At Evans' trial, a Georgia prisoner testified that he had heard one of the murder defendants say: "If it hadn't been for that dirty son of a bitch Alex Evans, we wouldn't be in this now." The trial judge admitted this hearsay evidence, even though Evans had no chance to cross-examine the man who was supposed to have made the remark...
...unseen father of the film Where's Poppa? must have read Ralph Nader's latest report before he made his sons promise him on his deathbed that they would never put their mother in an old folks' home. For, as Nader made clear last week in a report to the Senate Special Committee on Aging, Momma may be far better off sharing an apartment with a homicidal son than in many of the nation's 24,000 nursing homes...
ADAM AT 6 A.M. also concerns itself with youth and Middle America. The son of upper-middle-class parents, Adam flees his plush Los Angeles home for a summer in the heartland. He winds up in Missouri, where he gets a job with a road gang and meets one of those teenage girls (Lee Purcell) who favor pink and pigtails, and announce with pride: "I was valedictorian of my high school class." He falls in love with both the girl and the country, but neither romance can sustain the burden of examination and analysis to which Adam constantly subjects them...
...pulled the reader along, says Wilson, he brought the first "cinematic mobility" to the English novel: long tracking shots, like Oliver Twist's escapades in grimy alleys, where the scenes flash by like some satanic carnival; wide panoramas, like the scene in the brickyard in Dombey and Son, where the city lies on the horizon like a vast, destructive machine; dreamlike overhead views, like the dawn in Little Dorrit, where the news of Financier Merdle's suicide spreads through the town like poison through an organism...