Word: silliest
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Dates: during 1920-1929
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...professional, knowingly maternal sympathy, her bookish characters, even the glossy feeling of her style, are in The Marriage Playground. It is handsomely staged, conscientiously acted, unreal, inane. Numerous precocious stage children do their specialties as Mary Brian, the oldest and best-looking of the family, gives them their cues. Silliest shot: the cocktail council on the beach...
...boat coming north. Except for a song in The Hollywood Revue, it is the first time her voice has been photographed. She sings with a deep, throaty twang; even her mutterings as Bingo, the jungle girl, do not spoil the effect of her natural vivacity and physical outlines. Silliest shot: fistfight between Bingo's sweetheart and another suitor in a ballroom during a fashionable party...
...plot and characters Wall Street is less lucky. It presents the fundamentally interesting but familiar and clumsily treated situation of an iron-sinewed, low-born trader who is in love with a beautiful, cultured woman. Ralph Ince and Aileen Pringle do as well as they can in these parts. Silliest shot: a ruined speculator committing suicide by jumping through an office window after a brief soliloquy...
...series of hooks for hanging up songs and dances. It is unfortunate under the circumstances that Colleen Moore has little singing voice and cannot dance. A typical Irish-American girl, spontaneous and convincing in parts that are natural to her, she is clearly uncomfortable in Footlights and Fools. Silliest shot: Miss Moore coming down into the audience to hug a tired business...
...survivors of the latest wreck?a girl, a man convicted of murder, a comedy detective. Occasionally effective camera work fails to make up for stolid sequences of dialog explaining the locale, or for the pathetic struggle between the hero and the scav- engers who live on the lost ships. Silliest shot: the super-scavenger being ceremoniously married to the unconscious body of the heroine...