Word: shrines
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Dates: during 2000-2000
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...Speaking of India's identity as a secular state, isn't that challenged by Prime Minister Vajpayee's statements in support of a campaign to build a Hindu shrine over the ruins of the Babri mosque in Ayodhya, which was destroyed by a mob of Hindu extremists...
...exhibition's auto-eroticism sector does, however, include one triumphal fetish--Larry Fuente's Derby Racer, 1975. Like some pious Latino decorating a shrine, Fuente glorified a convertible jalopy with an undulating crust of shards, beads, mirror fragments and pearly gewgaws. It is still a convincing, near folk object--an automotive equivalent, perhaps, to Simon Rodia's towers in the Watts neighborhood of downtown Los Angeles...
...winning the election he was forced to call last week, and Monday's fierce gun battles in Bethlehem and Ramallah were a reminder of just how elusive such a deal may be. Israeli helicopter gunships fired on a Palestinian neighborhood in Bethlehem after Israeli troops guarding the Jewish shrine of Rachel's Tomb were fired on, while the Ramallah firefight capped a weekend of clashes that followed the mistaken killing by Israeli snipers of a Palestinian construction worker...
...Christian images he first used in his Mexican films were, he claimed, all based in reality. Thus we see a shrine to the Virgin in a slaughterhouse ("El Bruto," 1952), a bloody statue of Jesus carried onto a bustling streetcar ("Illusion Travels by Streetcar," 1953), and a man viewing a priest's ritual cleaning and kissing of altar boys' feet leading to sexually charged stares between the man and the woman who will become his beloved ("El/This Strange Passion," 1952). The coup de grace is delivered in "Archibaldo de la Cruz" when our hero, an aspiring (but terribly clumsy) serial...
...black mass," taking him inside a noisy, sweaty, rockin' 1960s discotheque! "The Milky Way," Bunuel's final statement on Catholicism, is an episodic exploration of noted historical heretics, including Buñuel's professed "master," the Marquis de Sade (Michel Piccoli). Two pilgrims en route to a Spanish shrine travel from era to era, and also have "visions" (including one of a jovial, chuckling Christ chiding his stern Apostles) as they try to sort out what, if any, of the things they're hearing are true...