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Within 30 minutes, all three men were back in the main module. With Spektr sealed and the station repressurized, they had time to assess just how much ship they had left. It did not look like much. Mir had lost all the power that once flowed from the Spektr's solar panels. Worse, the other panels on the ship were also out of commission. The collision had knocked the station into a slow roll, tipping its huge, energy-producing wings out of alignment with the sun. Unless the ship got realigned, it couldn't produce power. And unless the ship...

Author: /time Magazine | Title: A BAD DAY IN SPACE | 11/3/1997 | See Source »

...decibel boiler room fell silent. Huddling together in the main module, Tsibliyev, Lazutkin and Foale spent a few serene hours watching Earth roll silently by. All that disturbed their reverie was the periodic waving of flight plans about in order to fan away their exhaled carbon dioxide, which the ship's ventilators could no longer remove...

Author: /time Magazine | Title: A BAD DAY IN SPACE | 11/3/1997 | See Source »

...context that not only Gehry but also some of the artists he is closest to, like the sculptor Richard Serra, love. Disregarded, blue-collar beauty. The rusty pecs of Basque industrial capitalism. Seen from the far side of the river, the museum does indeed evoke a vast metal ship, full of compound curves, run aground--a sort of art-ark. "To be at the bend of a working river intersected by a large bridge," Gehry wrote at an early stage of the design, "and connecting the urban fabric of a fairly dense city to the river's edge with...

Author: /time Magazine | Title: ARCHITECTURE: Getty Center and Guggenheim Museum in Bilbao: | 11/3/1997 | See Source »

...there was another structure Gehry wanted to refer to--the mother ship, as it were: Frank Lloyd Wright's original Guggenheim on Fifth Avenue, with its great empty center wound about by the spiral of exhibition ramp. Obviously that couldn't be repeated (it is, in any case, a curator's nightmare), but like the Bilbaino industrial metaphor, it could be evoked...

Author: /time Magazine | Title: ARCHITECTURE: Getty Center and Guggenheim Museum in Bilbao: | 11/3/1997 | See Source »

...missteps, 1993's 14 Shots to the Dome, was an unfortunate foray into gangsta rap and a poor fit with LL's good-guy image. It was a lesson he did not ignore. "Now, no matter how the tide is going," he says, "I try to keep my ship on my own course...

Author: /time Magazine | Title: MUSIC: STILL KNOCKIN' THEM OUT | 11/3/1997 | See Source »

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