Word: shading
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Dates: during 1970-1979
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...shots allow Mizoguchi at once to shoot every situation with unbelievable guts and to keep his film flowing onward. They combine anguish and beauty, human motion and a fixed setting. In the beginning they glide with the noblewoman and her children through a forest, playing with the light and shade of the passing trees. When the bandits take her from them, fast tracks of incredible violence following them running along the shore after the women are cut against shots of her being carried off in a boat. In every track characters and setting, foreground and background, seem to be moving...
Director Mark Rydell (The Fox) carefully and lovingly reconstructs the turn-of-the-century South, and his reconstruction-perhaps a shade too soft of focus and rich of pastel-remains affectionate and without condescension throughout. The performers are uniformly excellent, with a special nod to young Mr. Vogel and Will Geer, who at film's end delivers a cautionary lesson to a stolid, recalcitrant Lucius in his best grandfatherly tones: "A gentleman accepts the responsibility of his actions and bears the burden of their consequences, even when he didn't instigate them himself, didn...