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...same time, though it's an irony that his paintings of old houses in Maine or on Cape Cod should strike us that way. When they first appeared, they were considered triumphs over the ugliness and banality of the houses themselves. Gilded Age piles with mansard roofs or carpentered scrollwork were deeply out of fashion in the 1920s, when Hopper started seeking them out. In the same way, when he painted Manhattan, it wasn't the jazz-age skyscrapers he was drawn to. It was nondescript brownstones and offices, places like the one in Room in New York, where...

Author: /time Magazine | Title: Edward Hopper: Man of Mysteries | 5/10/2007 | See Source »

...feeble sort of entertainment." Worried about his reputation as a serious artist in the West, Murakami rattles off a list of departures he is now taking to maintain his high-art cred. For starters, he says, he is exploring traditional Japanese materials and motifs?updated twists on Buddha statues, scrollwork, calligraphy, screen painting and a 300-year-old dye technique called yuzenzome...

Author: /time Magazine | Title: Move Over, Andy Warhol | 5/19/2003 | See Source »

...which forced Meiji Japan to open itself to Western influence, led to a concurrent craze in Europe and the U.S. for all things Japanese. By the turn of the century Ernest Fenollosa and William Sturgis Bigelow, learned Bostonians infatuated with Japan, were assembling the great collections of furniture, scrollwork, carvings and prints that now fill whole galleries of the Boston Museum of Fine Arts...

Author: /time Magazine | Title: Art: The Rise And Rise Of Asian Art | 3/31/2003 | See Source »

...longer requires the enthusiasm of a few artists and intellectuals for Chinese scrollwork and Korean statuary to make their way across America. In San Francisco last week, the Asian Art Museum celebrated the opening of a sizable new home in the city's former main library, a 1917 neoclassical building reconceived by Gae Aulenti, the Italian designer who updated the Musee d'Orsay in Paris. It's no mystery why the largest American museum devoted to Asian art should be located in a city where some 40% of the population is of Asian descent, chiefly Chinese and Philippine, but including...

Author: /time Magazine | Title: Art: The Rise And Rise Of Asian Art | 3/31/2003 | See Source »

...this was elaborate scrollwork, hiding content. The substance of the week's talks was finally revealed in a 1,500-word joint communique released just before the President left Shanghai to return to the U.S. It contained no great surprises, no great letdowns. It might have said a little more; it largely dwelled on the need for friendship without getting down to many specifics. In the long run, one of the most important questions about the U.S. and China will be just how much the two countries may learn from each other...

Author: /time Magazine | Title: 1960-1973 Revolution | 3/9/1998 | See Source »

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