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Walter Huston, in the role of Stuyvesant, superb actor that he is, finds himself way over his head without a singing voice. The love interest is carried adequately, but no more than that, by Jean Madden and Richard Kollmar; the script gives them nothing to do, and Mr. Kollmar faces tremendous odds when he is called upon to plead the ancient American axiom that men are not true men unless they think for themselves...

Author: By V. F. Jr., | Title: The Playgoer | 9/28/1938 | See Source »

...Division of Information. A onetime NBC production man, he has the job of coordinating broadcasting activities of all Interior Department bureaus, furnishing radioactive bureau heads with the professional touch. For the dry statistical reports that are now the rule, Director Allen hopes to substitute dramatic treatment, has issued script samples to educate officials. Sample sample for a disquisition on reclamation, modern style...

Author: /time Magazine | Title: Radio: Professional Touch | 8/22/1938 | See Source »

...broadcasts ("big salaries for little people"). They drifted in by twos and threes. From Hawaii came a troupe of 14. At length he had 60 of them, averaging three-feet-eight in height, about 70 Ibs., ranging in age from 19 to 65. Meanwhile, his writers turned out a script for a "rollickin', rootin', tootin', shootin' drama of the Great Outdoors...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 1, 1938 | 8/1/1938 | See Source »

...cajolings of pudgy, moon-faced Director Cukor, she gives her liveliest performance since appearing in his Little Women-Restoring Cinemactress Hepburn's prestige is not the only coup Columbia will score if Holiday proves a box-office hit for the third time. The company acquired the script for practically nothing, by paying RKO $80,000 for a batch of shelved stories which also turned out to include its current hit, The Awful Truth. As an adapter, Screenwriter Stewart was an obvious, as well as fortunate, selection. One of Playwright Barry's best friends, he started a fashion since...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 13, 1938 | 6/13/1938 | See Source »

Three Comrades (Metro-Goldwyn-Mayer). Like many another able writer, F. Scott Fitzgerald has gone to Hollywood. In this script, with Edward E. Paramore, he tried to adapt Erich Maria Remarque's novel into a corrosive arraignment of Nazi Germany. They wrote a scene in which a poor Jew proclaimed his love for Germany, another in which a rich Jew refrained from cheating three young gentiles, a scene in which famed books, including Remarque's, were burned by Nazis. Hays office censorship left none of these scenes in the finished picture. Much political content is removed...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 6, 1938 | 6/6/1938 | See Source »

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