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Word: scripted (lookup in dictionary) (lookup stats)
Dates: during 1980-1980
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Usage:

...most movieish of illustrators. His space fantasies are replicable on a sound stage, because they consisted largely of art deco architecture, primitive emotions and sexy states of undress. One gets a sense that Production Designer Danilo Donati had fun recreating Raymond's visions, that Writer Semple's script was lettered into balloons, and Director Hodges kept a pile of old comic books on hand to suggest setups...

Author: /time Magazine | Title: Cinema: Comics into Film: Bam! Pow! Eek! | 12/22/1980 | See Source »

...contrast, Popeye seems to be less an adaptation of Elzie Segar's great creation than of one of those over-Freudianized analyses of popular art that used to appear in the little magazines. Some of the fault may lie in Jules Feiffer's script, which has Popeye searching for his lost father...

Author: /time Magazine | Title: Cinema: Comics into Film: Bam! Pow! Eek! | 12/22/1980 | See Source »

...endless gusher of royalties and protected by his international reputation. Sadly, ironically, he watches as Western civilization slides into barbarism and banality. He is in Germany during the '30s as the Nazis twist science into racist doctrine. In postwar Hollywood he endures producers who change his King Arthur script from a heroic Christian epic to a cheap romance. Toomey is a lonely paradox: lacking an abiding spiritual faith, he can enjoy but not fully possess the material world...

Author: /time Magazine | Title: Books: Devils in the Flesh | 12/15/1980 | See Source »

...Neill's greatest weakness, though, comes in his own characterization of jailer Wilfred Shadbolt. The performance call unwarranted attention to itself from the moment the lights go up. The script of the operetta opens with Phoebe at the spinning wheel singing alone; this Yeomen begins with O'Neill clattering across the stage and mugging at the audience, all to no apparent purpose...

Author: By Michael W. Miller, | Title: A G & S Surprise | 12/11/1980 | See Source »

Each play involves only two characters: a father and daughter. In Reunion,a married daughter meet with her middle-aged father for the first time in about 25 years. Without the poignant sensitivity Brown and Zito bring to their roles, even Mamet's extraordinary script and Samuel's tight directing would have no effect on an audience. From the first moment Brown walks on stage, she fills the room with tension and suppressed hatred, anger and deeply buried love. The utter awkwardness of her character's situation increases and emerges more clearly as the dialogue continues. Compulsively smoking, fidgeting with...

Author: By Sarah L. Mcvity, | Title: Mamet's Minimums | 12/10/1980 | See Source »

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