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...their dramatic values are moderate. The most determined dissenter of the schoolroom cannot fail to ingest romantic staples such as Jeanne d'Arc, Peter the Great, Lincoln and a hundred others, including the hero herein discussed. The development of this mental negative into an actual picture on the screen clarifies modern preconceptions of the past. If the representation is authentic the picture returns permanent profit to the spectator...

Author: /time Magazine | Title: Cinema: The New Pictures Oct. 29, 1923 | 10/29/1923 | See Source »

Once more America is threatened with a new kind of prohibition, which may well be termed prohibition of misconception. Already the movies, in defense of the American farmer, have decided to abolish the "hayseed" from the screen. Farmers, hereafter, will be dressed in sane apparel. However this is merely the beginning...

Author: NO WRITER ATTRIBUTED | Title: MORE REFORM | 10/10/1923 | See Source »

...impossible because it reveals a sadistic intolerance. The millions who bewail the blunders of the gelatine generals should rather offer paeans of respectful thanksgiving. The modern movie, clumsy as it is, is simply crowded with virtues of omission. The cinema first flickered across the screen of civilization about two decades ago. Think for a moment of the original sins now eliminated...

Author: /time Magazine | Title: Better Movies | 10/8/1923 | See Source »

Scaramouche has already been greeted as the finest French Revolution yet brought to the screen-and even if you are a little weary of seeing a strongly American band of sans-culottes demolish a pasteboard Paris, you should not miss Scaramouche, for it is quite the best thing Rex Ingram has done since The Four Horsemen. The story follows Sabatini's novel closely enough-the stroller-swordsman hero (Ramon Navarro) is dashingly effective-the scenes of the storming of the royal palace are incredibly exciting-the Danton of George Siegmann presents, for once, a hero rather than a ranter...

Author: /time Magazine | Title: Cinema: The New Pictures Oct. 8, 1923 | 10/8/1923 | See Source »

Much drivel has been perpetrated about the movies as a means of education. Mostly, they are a hindrance. But it is equally true that no outstanding effort has been made to turn the public silver screen into an educational institution. The Yale University Press, which published the Chronicles of America, a compendious history of this country, has undertaken to translate this great opus into some 30 cinema plays. The first of these, Columbus, will be released on or about Columbus Day, Oct. 12. The play has no sugar-coating other than its own intrinsic flavor. Will it please the public...

Author: /time Magazine | Title: Education: Success Without Sugar? | 10/8/1923 | See Source »

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