Word: scotsman
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Dates: during 1980-1989
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Corbero's work looks fairly orthodox, nevertheless, beside that of the young Scotsman David Mach, 32, showing at the Barbara Toll gallery (also through June 11). There is one object on view. It fills most of the gallery. It is called A Million Miles Away and is made from some 28,000 magazines -- surplus copies of House Beautiful, Esquire, Town & Country and the like -- spilling in a torrent from a fireplace, across the floor and through a wall and another fireplace. Embedded in them are a bathtub, a stuffed zebra and what must be the world's largest outboard motor...
With Vic. Writer/director Charles Gormley follows the recipe of fellow Scotsman Bill Forsyth, whose warm, mild comedies Local Hero and Gregory's Girl have been well-received in the United States. His recipe: take a potentially meaty theme, don't overwork it and sour the comedy, add a bunch of offbeat characters and sprinkle in some quirky but subtle sight-gags and one-liners. Gently stir the mixture and simmer over low heat, and serve in a picturesque Scottish background...
...instrument like a fighter pilot getting ready for combat. First comes the bellows, a smaller version of the fireplace variety, belted next to his body and held under his right arm (whence comes the name: Uilleann is based on the Gaelic word for elbow). The bellows replaces a Scotsman's lungs in filling the leather bag that drives the sound. The bag goes under his left arm; out of it and across his lap comes a collection of wood and brass tubes. Some of these are the drones, which sound continuously in the background; the others, called regulators, are activated...
Chris Lambert plays Connor MacLeod, a Scotsman born in the 1500's who finds out that he's one of the world's few immortal beings. In the 16th century, he's the naive Luke Skywalker type. In modern Manhattan, he's the boss, with a bitter sense of humor that only four centuries of fighting and living in the fast lane could produce...
...good news is the eponymous Del Amitri (Chrysalis). At first glance, these four Scotsman would seem to fit in with the U2 Alarm mode of loud banal political folk songs. This debut effort abounds with youthful metaphors about pollution and nuclear war and all the things that are so gosh--wrong with this world. Most of the time these societal barbs are more embarassing than effective. All of this only goes to prove that it takes time to learn how to write lyrics. Fortunately, the ultimate success of Del Amitri does not depend on its words but rather its presentation...