Word: scoring
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Dates: during 1960-1960
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...Loewe's music, his emotional temperament has yielded some of the best popular tunes of his day (7 Could Have Danced All Night; On the Street Where You Live). They spill over the battlements of Camelot. His present score is as melodious as any he has done, from brightly lighted marches (Then You May Take Me to the Fair) to pastels of love (If Ever I Would Leave You) and the gules-and-argent portrait of Camelot itself...
...society tumbles at home and her triumphs among the titled abroad is not only made the crude Maggie and Jiggs stuff it may often have been but is given an unvarying funny-paper treatment. The show, too, has an altogether loose-leaf structure, while the Meredith Willson score is not up to The Music Man's and has nothing as infectious as Seventy-Six Trombones. But it gives a kind of joyous blare to the evening; along the way there is some nice dancing, rowdy in Leadville, chic in Monte Carlo; there are some funny remarks; and from time...
...himself to music with the dedication of a monk (which he once intended to be), lived frugally, gave away his money to students as his hero St. Francis of Assisi did, became an apostle of modern composers. On the podium he danced, shook his fringed pate, conducting without a score from an awesome memory. Off the podium he read philosophy, the Greek dramatists, but for diversion Mitropoulos climbed mountains...
...Harvard JV's tied the score later in the second quarter as Hank Hatch raced 40 yards from scrimmage to cap a 60 yard drive. The Crimson also failed to convert after their touchdown, and the halftime score stood...
...third quarter was primarily a ground battle between the 30 yard stripes, but at the beginning of the final period the Cadets' dormant offense came alive. The Black Knights went 85 yards to score, with Wayne Williams passing to Bill Perdew from nine yards out. The conversion again failed...