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Word: scoring (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...long-awaited score proved to be typical Orff, avoiding such devices as standard harmonic progressions or even the modern "tone row." Instead, it sustained for page after page a single chordal theme, varied only with starkly primitive rhythm in the orchestra and percussion-punctuated declamation by the singers. The work was typical, too, in its close welding of music to text (by 18th century German Poet Friedrich Hölderlin). The oddly assorted orchestra-which included four pianos for eight players, four harps, a glass harmonica, marimbaphone, xylophones, bongos, congas, gongs and no strings except for nine double basses-served...

Author: /time Magazine | Title: Music: Orff's Oedipus | 12/28/1959 | See Source »

...final vote, the resolution failed for the second straight year to get the necessary two-thirds majority. The score: 39 yes, 22 no, 20 abstentions (including...

Author: /time Magazine | Title: UNITED NATIONS: Scaring Louisa May Alcott | 12/21/1959 | See Source »

...Arlen score, despite good rhythmic effects, never really gets its beat off the ground. The two or three times the dancing turns lively suggest a last two or three rounds of ammunition desperately fired at the advancing battalions of boredom. Carol Lawrence and Howard Keel are agreeable leads, but to little avail. With none of the succulence of a great big old-fashioned dinner, Saratoga induces all of the somnolence...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Dec. 21, 1959 | 12/21/1959 | See Source »

...these questions, Cartoonist Capp's millions of unflagging fans will find satisfactory answers. In the Broadway musical, the Capp characters were type-cast with amazing accuracy, and most of the Broadway players are there in the Hollywood production. The show's score (words by Johnny Mercer, music by Gene de Paul) is the big letdown: a chance to make good mountain music is passed up in favor of bad Broadway tunes. But the story gallops along, and the dancing scenes preserve the essential whomp. They'll love it in Lower Slobbovia...

Author: /time Magazine | Title: Cinema: New Picture, Dec. 21, 1959 | 12/21/1959 | See Source »

Three Classes. Drug firms, said Connor, fall into three classes: 1) "creators"; 2) "molecule manipulators" who change basic drugs around but seldom score "home runs"; and 3) "coattail riders." who do no research, wait for a market to develop, then jump...

Author: /time Magazine | Title: DRUGS: The Double Image | 12/21/1959 | See Source »

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