Word: sci-fi
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...knew we should leave it alone." They had their movie. They trimmed the woods footage--"It was like we wrote the script during the editing," Myrick says--and used the other material for a devious docu-promo, Curse of the Blair Witch, that ran on the Sci-Fi Channel...
...discussing unfinished projects by director Stanley Kubrick [NOTEBOOK, July 12], you noted that AI, a science-fiction film about artificial intelligence, might have been a better film for his finale than Eyes Wide Shut. But the fact that Kubrick had already made a trilogy of sci-fi flicks (Dr. Strangelove, 2001 and A Clockwork Orange) is probably why he opted to do something different. Kubrick virtually reinvented each genre in which he worked, whether it was a horror film like The Shining, an antiwar movie like Full Metal Jacket or a science-fiction feature. It is not surprising that...
...Batman films that Daly and Semel originally launched to box-office bravos, the thrill was in fact fading fast for the dynastic duo. Warner's had produced a string of costly flops in the past two years before rebounding in 1999 with such hits as The Matrix, a sci-fi action flick, and the mob comedy Analyze This. The Daly-Semel formula centered on the relationships the two had with stars like Mel Gibson and Clint Eastwood and producers like Joel Silver. The movies were big--Lethal Weapon, Unforgiven--the dollars were bigger, and everyone got a piece...
...little movie eventually presents him with a choice: return to his kind in a galaxy far away, or stay with his earthling buddies, the Muppets. The answer may be obvious; but bringing Gonzo to his senses gives the Muppets briskly economical opportunities to satirize government, media excesses and cult sci-fi's more tiresome tropes...
History and horror, crime and war, sci-fi and sexual transgression. He may have made only 13 feature films in the course of his 46-year career, but Stanley Kubrick covered a range that more prolific filmmakers might--and often did--envy. But whether the films were set in the deep past or the near future, whether their prevailing tone was comic or violent, sly or brutish, weary or idealistic, Kubrick really made the same movie over and over again--vivid, brilliant, emotionally unforgiving, imagistically unforgettable variations on the theme that preoccupied him all his mature life...