Word: sci-fi
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...dazzling effects and the dizzying ways it toys with reality, virtual and actual, this film may or may not portend cinema's future. But who cares about that when what we have from Larry and Andy Wachowski is a demonically hip, computer-driven reimagining of the dorked-out sci-fi tradition...
Where are our Millennial Movies? Movies about annihilation, computer viruses, paranoia, sci-fi conspiracies and--gasp!--a shortage of champagne? Movies that hype the end of the century, the end of the world? They're nowhere to be found. Too short a shelf-life, the executives claimed. So instead of continuing the postmodern trend launched by Run Lola Run, American Beauty and Being John Malkovich earlier this year, we're getting epic fluff--the annual flurry of "Oscar-bait...
...short story, sci-fi great Isaac Asimov wrote of a robot unexpectedly given very human emotions and abilities. Gradually, the robot seeks to become more and more human, raising profound questions not only about the morality of creating intelligent machines but about broader issues like humanity and immortality. In adapting this tale for mainstream moviegoers, however, screenwriter Nicholas Kazan and director Chris Columbus forgo the subtleties of these dilemmas in favor of greeting-card sentimentality. The result is an enjoyable, often touching picture, but one that fails to realize the richness of its concept...
...Then again, perhaps we should not expect too much gritty sci-fi out of what may just be a futuristic family film. As seen here, the cityscapes and landscapes of tomorrow are indeed gorgeous to look at. The neat visual surprises include a double-decker Golden Gate Bridge. And the key futuristic detail, the robot star himself, is a lot of fun to watch. His movements strike an intriguing balance between fluidity and mechanics, while in the face, Robin Williams the robot is a curious metallic echo of Robin Williams...
Speaking of programs, one of [The Artist]'s favorite films is The Matrix--the sci-fi thriller in which the human race is trapped inside an oppressive computer simulation. [The Artist] frequently uses the movie as a metaphor--especially when he talks about the music industry. Says [The Artist]: "People aren't supposed to go into the studio to make music thinking about 'How will this look in the video?' That's a matrix. That's dangerous to me. People shouldn't have to ask permission to record with other artists. That's a matrix...