Word: schnitzler
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...writer of this letter was none other than Sigmund Freud, and he sent it to famed Viennese Playwright Arthur Schnitzler on May 14, 1922, the eve of Schnitzler's 60th birthday. The letter (printed in Germany in 1955 but not previously published in the U.S.) has now been brought to light by Los Angeles Psychoanalyst Herbert I. Kupper, to make a point about Freud and his theories. It suggests, Dr. Kupper told the American Psychoanalytic Association, not only that Freud was capable of believing in the mystical concept of the Doppelgänger,* but that his teachings themselves...
Youth in Step. Schnitzler, like Freud, was born soon after mid-century in Franz Josef's Austro-Hungarian Empire. Each was his mother's eldest child; each was soon handed over to nursemaids because mother was pregnant again; each was soon bereaved by the death of his next-born brother (Schnitzler at 14 months, Freud at 19). The Schnitzler family was the better off; Freud's father was an unsuccessful wool merchant, while Schnitzler's was a fashionable ear, nose and throat specialist, who basked in limelight reflected from theatrical patients. Both young men became physicians...
Freud plunged into psychology and self-analysis, declared himself dedicated forever to the scientific search for the "naked truth." Having lived ascetically before marriage, he lived monogamously thereafter. Schnitzler discovered what he called "fictional truth," had a series of well-publicized affairs with glamorous actresses, and feverishly wrote about a character named Anatol (a thinly disguised self-portrait) who was a gay yet morbid epicure, a dandy with a death wish who thought he had to die to be truly free. Through the turmoil of world war and revolution, Schnitzler wrote play after play (notably Der Reigen or La Ronde...
...other respects, too, said Dr. Kupper, "Schnitzler's use of psychoanalytic concepts seems to exhibit the same progressions as Freud's scientific investigations." His early works, e.g., Paracelsus (1897), use hypnosis "as a comic and plot device to penetrate the realms of the unconscious." This was the period when Freud still hoped to put hypnosis to good medical use. Later plays, e.g., Intermezzo, Comedy of Seduction (1905, 1924), stress unconscious motivation of behavior not unlike Freud's Studies in Hysteria (1893). These, says Dr. Kupper, were followed by works involving concepts of resistance, transference and repression during...
...intriguing and French little comedy, La Ronde possesses a wealth of amoral irony and a pleasantly fatalistic attitude toward love. Based on a play by Arthur Schnitzler, the film briefly traces the course of ten love affairs--between a prostitute and a soldier, the soldier and a chambermaid, the chambermaid and a student, the student and a married woman, the woman and her husband, the husband and a little cocotte, the cocotte and a poet, the poet and an actress, the actress and a count, and the count and the original prostitute. This merry-go-round of sex is attended...