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Word: schnitzler (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...self-education was wide but shallow. Vienna was peopled with brilliant artists and thinkers; Sigmund Freud's researches, Arnold Schoenberg's music, Oskar Kokoschka's paintings, Arthur Schnitzler's plays, all had their roots in the city. But Hitler dismissed modern art as "decadent." To the impotent and solitary figure, power was what mattered, not aesthetics. The Ring of the Nibelung proved more fascinating for the drama than for the music. "Whoever wants to understand National Socialist Germany," Hitler often said, "must know Wagner." Particularly the heroic, irrational world of blood and fire...

Author: /time Magazine | Title: Architect Of Evil | 8/28/1989 | See Source »

AFTER WATCHING the first scene of the Harvard-Radcliffe Summer Theatre's production of Arthur Schnitzler's La Ronde, the audience realizes that the material is not appropriate for young children of people easily embarrassed by explicit dramatizations of sex. However for others, director Bill Rauch's creative adaptation of this collage of 10 one-act dialogues is a superbly orchestrated version of the delicate material...

Author: NO WRITER ATTRIBUTED | Title: Not For Squares | 7/1/1983 | See Source »

Only a troupe of mature actors could succeed in arousing and then sustaining the audience's attention for the 10 scenes and this group does so by making each scene equally as powerful as the others. Each actor develops his own persona, which Schnitzler has broadly classified as whore (Carolone Isenberg), soldier (Tim Banker), parlour maid (Holley Stewart), young gentleman (Benjamin Cobb), young wife (Anne Higgins), husband (Jonathan Magaril), sweet young thing (Debbie Wasser), poet (Alek Keshishian), actress (Amy Brenneman), actress (Amy Brenneman), and Count (Paul O'Brien...

Author: NO WRITER ATTRIBUTED | Title: Not For Squares | 7/1/1983 | See Source »

...Frank W. Schnitzler...

Author: /time Magazine | Title: Letters: Aug. 23, 1982 | 8/23/1982 | See Source »

...Vienna of his day (1862-1931) was phosphorescent in decay: Schnitzler's contemporaries numbered Sigmund Freud, Gustav Klimt, Arnold Schoenberg, Gustav Mahler and Adolf Hitler. Schnitzler chose to puncture that neurasthenic society's pretensions to honor, its pursuit of frivolity and its moral numbness. He knew the absurdity of doubling one's speed when one has lost all sense of direction...

Author: /time Magazine | Title: Theater: La Valse | 3/9/1981 | See Source »

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