Word: schneider
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Federalists John H. Sutter '52 and Thomas Schneider '52 will recommend revision of the Charter, while John H. Mansfield '52 and Edward C. Jordan '50 will defend a UN status...
Beethoven: Serenade in D, Op. 25 (John Wummer, flute; Alexander Schneider, violin; Milton Katims, viola; Columbia, 6 sides). Beethoven the charmer, instead of Beethoven the thunderer, in a performance that misses none of his smiles and gestures. Recording: good...
...other hand, Pierre Schneider's sensitive piece of criticism, "Celine, A Lasting Scream," shows what can be done in a critical vein. Schneider, in his analysis of this novelist's technique, does an excellent job of evaluating the contemporary novel in general, the novel whose author "plucks only the lowest and smoothest cord." He catches and understands the power that Celine's works carry, and acutely dissects the reason's effect of that power on the reader...
...legitimately raised is one of balance. Granted, Sanders Theater is too large for harpsichord tones to compete satisfactorily with the violin. Nevertheless, while being true to the music by using the harpsichord rather than the piano which dominated the nineteenth century, they have not weakened the violin proportionately. Schneider uses a straight bow with taut hairs rather than the arched, loose-haired bow to which Bach was accustomed. Even with this slight exception, however, it is undoubtedly true that the two give the most precise demonstration to be found anywhere of the complete understanding which Bach had for the possibilities...
...piano, though it was used interchangeably with the harpsichord in his time. In any case, he did occasionally make excessive demands on a harpsichord, and these were noticeable in the thumping of the coupled bass at times in the C Major Sonata. But when music and instruments did fit, Schneider and Kirkpatrick produced some of the most delightful musical sounds I can remember...