Word: scattergun
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...result is a new-style western that's both entertaining and as mesmerizing as Givens' cold-blooded speech to the crook with the scattergun: "I want you to understand. I don't pull my sidearm unless I'm going to shoot to kill. That's its purpose, huh? To kill. So that's how I use it." Givens is still figuring out his own purpose, and in the compelling character study of Justified, Leonard, Yost and Olyphant have fashioned quite a weapon. I can't wait to see how they...
...Colin Groves, an Australian biological anthropologist who is an author on an upcoming paper in the Journal of Human Evolution that discounts the microcephaly hypothesis, says the PNAS team subtly shaped the evidence to fit their conclusion: that the hobbit was just a developmentally stunted human. "They have a scattergun approach," he writes in an email. "They are convinced from the very start that it is pathological, so they find anything that remotely resembles pathology and apply it to the poor hobbit." Henry Gee, a senior editor at Nature who was responsible for overseeing the publication of the original Flores...
...March, he accused the Senate of “jumping to conclusions on the basis of hearsay evidence and scattergun accusations...
...scattergun of public outrage was let loose on the paparazzi first. But soon it wheeled on drunk-drivers, the British press and the Al-Fayeds before settling, finally and inexplicably, on the Royal Family ? as if the Queen herself had been at the wheel of that Mercedes. When Earl Spencer stood up at his sister's funeral and fired a volley of veiled threats at her former in-laws, the search for scapegoats was complete. So now the world has turned upside-down, perhaps we ought to listen to China's considered opinion on the whole Diana business: "this...
...followed by the surreal comedy The Knack (1965). He quickly became the hottest new director around; his trick-camera, quick-cut editing had a breezy spontaneity that spoke for the swinging London of the '60s. With the artistic freedom that success can buy, Lester then turned his comedic scattergun to more serious and deeply felt purpose. Starting in 1967 he made one troubling social satire about modern materialists (Petulia) and two savage antiwar polemics (How I Won the War and The Bed-Sitting Room). All three fizzled at the box office, and by 1969 Lester found himself effectively...