Word: sargent
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Meanwhile, the ATV team had reached the thicket. As always, the smugglers bolted, but agents Jeff Sargent and Samuel Estrada rounded up nine of their clients and were marching the group to a nearby road when Dart returned and set down his chopper...
...eight men and one woman appeared to be between the ages of 20 and 50. Sargent quizzed them in Spanish. They said they had crossed the border the previous morning, bound for Phoenix. From there, they had expected to disperse in search of work harvesting crops. They had covered some 25 miles (40 km) before being caught. Standing with their plastic jugs of water, a few meager supplies on their backs, they looked dazed by the array of force that had gone into their capture: the trucks, the ATVs, the radios, the guns, the bird. If they had been picked...
...ever find yourself at odds with being from a prominent Democratic family and being married to a Republican? -Valencia Jackson, HOUSTONIt's definitely different to be married to someone from a different political party. It has really taught me to look beyond labels, which is something my dad [Sargent Shriver] was really adamant about. Get rid of all that and look at who the person is, and you're much better...
...really a concentration of the works, and because of this people aren’t as aware of the sculptures.” Moreover, the medium itself does not limit the bounds of Harvard Yard’s art collection. Murals painted by John Singer Sargent adorn the walls of Widener Library’s central stairs. In an effort to commemorate Harvard students who fought and died in World War I, the University commissioned Sargent to create these two large paintings in the fall of 1920. Completed in 1922, these murals, coupled with Memorial Church across the New Yard...
...work published by the Foundation. Francesca Bewer, a HUAM conservator, points to the donation of John Singer Sargent’s materials and tools in the 1920s as a significant gift of a similar nature. Part of the Forbes Collection of Materials of the Artist, the Sargent studio points to a long-standing interest in an artist’s personal materials. Newman destroyed canvases he was dissatisfied with, leaving fragments that were later found in his studio. Mancusi-Ungaro compares the destroyed paintings to rough drafts, noting that many artists would far rather destroy such cast-offs than sell...