Word: salahuddin
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Dates: during 1990-1999
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Sewell Chan '98, a social studies concentrator in Quincy House, was president of the Harvard-Radcliffe Asian American Association in 1996 and is a former Crimson executive. Bashir A. Salahuddin '98, a government concentrator in Pforzheimer House, is a former chair of the Harvard Black Men's Forum...
...problems. His relationship with his strong-willed mother (Nora Zimmet '00) borders on incest. He ignores his doting wife (Monica Henderson '99). While dealing with the onslaught of all of these issues, Coriolanus must also consider whether or not he should join forces with his recent enemy Aufidius (Bashir Salahuddin '98) to recapture Rome...
...were also killed on the spot; Abu Khadim says he interviewed an eyewitness who watched the execution of 30. "The Iraqis arrived at 4 p.m., interrogated his comrades, then blindfolded them and shot them at 5 p.m." Meanwhile Abu Khadim and 250 comrades fled to the mountain town of Salahuddin, a stronghold of Kurdish leader Massoud Barzani, the very man who had invited Saddam Hussein into northern Iraq. Asked if they felt betrayed by the CIA, an Abu Khadim aide shook his head in disbelief and replied, "I was astonished that the U.S. Air Force did not come...
...mitigated by the news that the Clinton Administration will evacuate some 2,500 aid workers, clerks, drivers and translators employed with U.S. military and relief operations who fled to the Turkish border in northern Iraq. As for Abu Khadim and his men, they are still waiting in Salahuddin. "We are in great danger," he said. "The CIA couldn't help us; we are soldiers and had to fight. But now we are asking them to do something for us as soon as possible: evacuation...
Both the Scarecrow (Gregory David) and the Tinman (Brad Waskewich) are well played, and Waskewich, through shrugs and gestures, is especially good at including the audience in the action on stage. Bashir Salahuddin's Lion is one of the show's strongest characters and, unlike David and Waskewich, Salahuddin sings as impressively as he acts. Despite this strong cast, the scenes of dialogue throughout the first act are beset by frequent problems with timing. The flow of the dialogue is constantly interrupted by small pauses which prevent the plot from progressing smoothly. Fortunately, the many musical numbers are carried along...