Word: sages
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Dates: during 1960-1960
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...century B.C., his bodily relics were divided and divided again, but there were never enough to supply all the stupas (Buddhist shrines) in the land. As a result, the faithful constructed a hierarchy of lesser deities (Bodhisattvas) to worship, as well as an elaborate system of "reminders" of the sage himself. A reminder could be a stupa that possessed no relics but was a replica of one that did. There were also small clay tablets that recalled the sites of the four Great Events in Buddha's life-Kapilavastu, where he was born; Bodh Gaya, where he attained enlightenment...
Tree into Body. The earliest tablets showed only symbols of the sage: his footprint on a mountainside, the great Bo tree, or the wheel. Gradually, the footprints grew into feet, the tree into a body. The artists never used a human model. Instead, each artist studied existing statues or paintings, and when he had the image firmly in mind, he would produce a work of his own. Though the art of Thailand has in a sense been a perpetual act of copying, the finest artists could not help leaving their personal stamp...
...warns onetime University of Chicago Political Scientist Laurin L. Henry in Presidential Transitions-a detailed history of the last four party changes (1916, 1920, 1932, 1952) in the U.S. presidency. But, mainly due to Henry, this week's winner will get sage advice from Washington's nonpartisan Brookings Institution, which is publishing Henry's book as part of a unique effort to educate the President-elect...
...Norman Corwin has adapted it for the stage and Bette Davis and Leif Erickson act it out, Sandburg's world remains dramatically mild, a little ostentatiously benign, its warm iron-kettle juices mingling the flavor of sage and ham. At its best, an evening whose themes move from the cradle to the grave is both folkish and individual. Often it is less folkish than folksy, and at its worst it is cute enough to make J. M. Barrie seem austere. Nor do Corwin's comments help: instead of stressing the pungent and appealing in Sandburg, he hails...
...Shakespeare never sermonizes-his "largesse universal like the sun" showers on saint and sinner, fool and sage, king and commoner. To modern playwrights, man is puny; to Shakespeare, who knew all his faults, he was nevertheless "the paragon of animals." To an Age of Anxiety, he incarnates the courage, humor and fortitude that have always seen men through their dark nights of the soul; to a burnt-out drama he is the ever-renewing fire in the ashes. Immortal, he became a myth; miraculously, he was once...