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...Originally scheduled to end Dec. 14, the season will be extended, probably well into January. Said Lincoln Kirstein, boss of New York's City Center: "The general public has become our audience. If it keeps coming, we will have the same kind of permanent position here as the Sadler's Wells Ballet has in London...

Author: /time Magazine | Title: Music: Ballet Extension | 12/8/1952 | See Source »

...company's leading lady, Jan Farrand, had stayed to finish the last play. Jerry Kilty, a leading actor, was in London, playing with the Old Vic. Robert Fletcher, who did costumes and also acted, was with the New York City Center Ballet, and Robert O'Hearn was with the Sadler Wells Company. Many of the other Brattle alumni had also attached themselves to bigger companies. Jack Kerr and Michael Wager were rehearing "Bernadine," and Fred Gwynne was playing in "Mrs. McThing...

Author: By Michael Maccoby, | Title: The Brattle Theatre--Brilliance and Arrogance | 11/14/1952 | See Source »

...scheduled a chamber music concert; at 2:30, a ballet or a performance by Monologist Emlyn Williams; nearly every evening, a concert by Britain's Royal Philharmonic* or one of five other symphony orchestras, a performance by the Hamburg State Opera, dancing by the New York City, Sadler's Wells Theatre or Marquis de Cuevas ballets, or a play...

Author: /time Magazine | Title: Music: Edinburgh's Sixth | 9/8/1952 | See Source »

...crowd flocked to performances of Der Rosenkavalier, were slower to buy up seats for Hindemith's more modern Mathis der Mahler. They cheered for Eduard van Beinum and the Amsterdam Concertgebouw Orchestra when it played The Rite of Spring and for Sadler's Wells Theatre Ballet's new Reflection, liked Tyrone Guthrie's production of an 18th century ballad opera, The Highland Fair...

Author: /time Magazine | Title: Music: Edinburgh's Sixth | 9/8/1952 | See Source »

...council simply funnels state funds to such established groups as London's Covent Garden Opera, Sadler's Wells Ballet and Old Vic, contributes to the support of ma jor symphony orchestras, etc. But art is a different matter. Instead of handing its money to, say, the Royal Academy, the council has concentrated on organizing its own exhibitions, and on buying works of art for its own collection...

Author: /time Magazine | Title: Art: Culture's Minister | 6/2/1952 | See Source »

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