Word: sadler
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Over the months Barbara had already received as many as three threatening, anonymous phone calls a week. But it was not until last month that a segregationist legislator named Jerry Sadler blasted the "octopus on the hill" (i.e., the university) for mixing "whites and blacks in an opera." Later another segregationist. Representative Joe Chapman, phoned the university's President Logan Wilson to discuss the matter. Though he denies threatening Wilson, the fact remained that the university's appropriations were about to come up before the legislature. Result: President Wilson suddenly decided that Dido must be white...
Representatives Joseph Chapman and Jerry Sadler were the chief instigators of the plan and both men made contact with President John Wilson of UT. Sadler had previously made a speech before an Austin gathering opposing the casting of a Negress and suggesting that it would be very difficult for the University to get any appropriations from the state legislature that year...
Arriving in Manhattan to dance the title role in NBC-TV's go-minute spectacular, Cinderella, Dame Margot Fonteyn, prima ballerina of the Royal Ballet (formerly Sadler's Wells), announced that on TV "you have to keep your mind skinned" because TV cameras are all over (and a stage audience is just out front). Though Dancer Fonteyn likes to perform on TV, she does not like to look at it: "Wastes too much time. It's paralyzing...
...London's Covent Garden last week, the curtain opened on an intriguing pair of firsts: the first all-British full-length ballet, for which Benjamin Britten had composed his first ballet score. It was written especially for Ballerina Svetlana Beriosova, rising young (23) star of the Sadler's Wells Ballet...
...casting of Ballerina Beriosova as the female lead was more interesting than either plot or music, for it was further indication that she is the heiress presumptive to Margot Fonteyn as the company's prima ballerina. Born in Lithuania, Svetlana trained in New York and Paris, joined Sadler's Wells in 1950. With the retirement of Dancer Violetta Elvin (to marry for the third time), Beriosova stepped into more and more of Fonteyn's roles. More enthusiastically than ever, the critics applauded her lithe, leggy build, her cool, fluid movements, which are reminiscent of the early Fonteyn...