Word: rquez
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...Night in Chile”—during a time when contemporary Latin American authors were struggling to gain a foothold in the American market. Circulating among critics well-versed in the literary tradition of Isabel Allende and Gabriel García Márquez, the translation introduced readers to a then-unknown Latin America, one neither swathed in magic realism nor saturated with family saga, but instead, mired—violently, bitterly, and evocatively—in political repression. The novella would mark the bloody delivery of visceral realism into the American consciousness, which soon became infatuated with...
...Roth’s vaunted corpus ever translate to a redemptive case for yet another joyless, featherweight book from one of America’s greatest novelist. In 2004, the author, now 76, selected a biographer, in a gesture that suggests, like Gabriel García Márquez, that Roth is aware of his own mortality on the horizon. Though he already has another novel scheduled for publication next year, Roth’s host of references to Shakespeare almost insist on comparison to the Bard at the end of his career. Roth seems either unaware or obstinate...
...widely regarded as the first Latin country to get there, and the IOC's selection is as much an endorsement of that achievement as it is of Rio's $14 billion bid to hold the games. The Nobel literature committee awarded Colombian author Gabriel García Márquez its prize in 1982 in part to affirm the global influence of Latin America's magical realist tradition. Now, giving Rio the Olympics sends a strong signal to the rest of the developing world that the Brazilian model - the post-ideological mix of orthodox market economics and progressive social policy...
...their respective scope and ambition, are dazzling and formidable to be sure. His was a new language in fiction; a language of the possible, of poetry vibrating in an uncertainty more readily comparable to that of Franz Kafka than Jorge Luis Borges or Gabriel García Márquez. A revolutionary and a giant to be sure; but beneath the earth of the legend there was once a man. The latest in a series of impeccable translations by Chris Andrews from New Directions Press, his haunting first book, the crime novel “The Skating Rink...
...culture, but the archetype is an old one among Hispanics: the wizened old woman who serves as a storehouse of folk wisdom - and is occasionally blessed with healing powers. It is the character of solid-like-a-rock Big Mama in Gabriel García Márquez's short story Big Mama's Funerals. It is otherworldly Ultima in Rudolfo Anaya's Chicano lit classic Bless Me, Ultima. And on the telenovelas, it is the kindly older lady who knows who the father of the orphaned deaf-mute child is but doesn't say out of propriety...