Word: rodzinski
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...nearly unknown in the U.S. Among the few who were aware of him, he was regarded as a workmanlike German kapellmeister with a suspicious fondness for 20th century music, and certainly an odd choice to command an orchestra whose past conductors had included such doughty maestros as Artur Rodzinski, Erich Leinsdorf and George Szell...
Retiring after no less than 46 years with the New York Philharmonic, the world's top virtuoso on the kettledrums, Saul Goodman, let fall some acerbic sidelights on conductors he has known. Willem Mengelberg: "A very arrogant man. I think he was sure he looked like Beethoven." Artur Rodzinski: "The kind of fellow who made the musicians give him a birthday party at his own house." Seiji Ozawa: "An audience eye-catcher. More than that I can't say about him." Well, one thing more: "He's an egomaniac." Tympanist Goodman's own weakness-or perhaps...
...post of music director for the Chicago Symphony is sometimes known as a conductor's Waterloo. No wonder. Artur Rodzinski lasted exactly one year before the dissatisfied trustees ousted him. Rafael Kubelik was hounded out of the job by Claudia Cassidy, the relentlessly hostile-toward Kubelik, at any rate- but now retired critic of the Chicago Tribune. Jean Martinon quit last year after a series of disputes that culminated in a clash with his musicians over discipline. The only recent conductor to succeed in the job was the late Fritz Reiner, a Hungarian with Germanic musical tastes, who brilliantly...
Zubin studied violin and piano, but played indifferently and never joined his school orchestra. By the age of eleven, he knew that he was more interested in becoming a conductor like his father, and like the great figures (Artur Rodzinski, Bruno Walter, Leopold Stokowski) that he saw in the 1947 film Carnegie Hall; a fanatic moviegoer to this day, he sat through it six times. His father, discouraged at the prospects for Western music in India, started him in pre-med courses. "Every time I sat down to cut up a dogfish," Zubin recalls, "there I was with a Brahms...
...controversy rages. Perhaps the late Artur Rodzinski said it all during a recording session with Pianist Paul Badura-Skoda. Listening to a patched-up playback of one of their tapes Badura-Skoda exclaimed: "Listen! Isn't that magnificent?" "Yes," replied the maestro dryly, "don't you wish you could play that...