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But it wasn't until 1925 that Rodgers and Hart had a major hit. They wrote the songs for a lighthearted revue called The Garrick Gaieties. Its Manhattan was an overnight success, and the legendary partnership was flying at last. Such songs as The Lady Is a Tramp, Dancing on...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

Rodgers was always keen on breaking new ground. Many believe Pal Joey (1940), the story of the emcee of a sleazy nightclub, to be a landmark musical. With its unscrupulous leading character and bitingly realistic view of life, the show moved the musical-comedy format into more serious territory. But...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

Hammerstein was born in New York City on July 12, 1895. His father William was a theatrical manager; his grandfather Oscar I, a legendary impresario who took on the Metropolitan Opera by building his own opera house. The young Oscar was stagestruck from childhood, and by the time he attended...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

Like Rodgers, Hammerstein was keen to push the boundaries of the musical, which was only slightly more sophisticated than a vaudeville revue. In the program of his 1924 Broadway show Rose-Marie, for instance, he and the other authors wrote that the musical numbers were too integral to the book...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

By the time Rodgers and Hammerstein were discussing the Hart crisis, the 46-year-old Hammerstein was considered something of a has-been. He had a string of flops to his name. Famously, after the successful debut of Oklahoma! he took an advertisement in Variety listing all his recent catastrophes...

Author: /time Magazine | Title: RODGERS & HAMMERSTEIN :The Showmen | 6/8/1998 | See Source »

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