Word: rigorous
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Dates: during 1980-1980
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...moss and dingly dells. There is a treacherous line between sentiment and sentimentality, particularly in his evocations of his own childhood. Yet time and again, even his most gothic fantasies and his most fussily reverential evocations of dead ballerinas are plucked back from the edge by Cornell's rigor as a formal artist. The essence of the box is to contain, and within a rectangular grid, at that. Cornell enhanced this with a spare, strict sense of proportion in his divisions and compartments; not without reason did he call himself a "constructivist." What one sees in the boxes...
...Crimson as saying that "physical violence is imminent" if President Bok does not respond quickly to student demands regarding the Klitgaard report. I hope members of the Harvard community of all races and classes can join me in affirming that confused indignation is no substitute for intellectual rigor and responsible discourse...
...synod's final "propositions" for papal consideration, codified by West Germany's Joseph Cardinal Ratzinger, have been kept secret. But most apparently endorsed tolerance: the birth control doctrine, as one Cardinal put it, "is not a discipline to be imposed in full rigor but should be gradually brought to the conscience of married couples as they mature." All sides agreed that the teaching must somehow be made more convincing...
...spring of 1979, when a certain Kirkland House independent study seminar debuted. Called "Fundamentals of the Multiflex," and taught by Larry Brown '79, then a senior and still Harvard's all-time passing leader, the course became something of a symbol of the less-than-substantial intellectual rigor associated with independent work courses. (The rules were tightened shortly after the course was reported in the national press, but Dean Rosovsky still manages to throw a mispronounced dig at the course in his annual speech to freshman.) And for all the negative publicity the course received, that there even...
...life to his rival's method of composition. Yet today, nearly 30 years after Schoenberg's death, the question of what ordinary concertgoers will think of him remains unsettled. The music, like the man, is complex, uncompromising, obstinately single-minded in its innovative rigor. Audiences have felt, as many critics have, that Schoenberg put truth before beauty. They have often found him easier to take at second or third hand, as refracted through the more immediately appealing work of Student Alban Berg, for instance, or any of dozens of lesser figures...