Word: regaled
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Dates: during 1960-1969
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...official guests a year and must meet a payroll of 300 employees. The Queen could reduce her expenses by shutting down the Royal Mews, the part of Buckingham Palace that houses the state coaches, carriages, horses and cars. To do so, however, would seriously dim the luster of regal elegance that now surrounds the monarchy...
MINK and sable, the Big Two of the fur world, can still be seen on the salon racks, regal as ever in traditional brown or black. But their luster is somewhat diminished this season by bright new competitors designed to make the fur-and the fur sales-fly. Right up there with the mink and the sable, the chinchilla, the ermine and the fox, are such low-status pelts as wolf, monkey, weasel, bull and yak. Without examining the label, however, even a zoologist would have trouble identifying the newcomers. For the furs have become checked, striped, flowered and wholly...
...drag ball that opens Act II. Lavishly costumed for a kind of inverts' Mardi Gras, the imperial army's top officers cavort in the home of the Baron von Epp. Dennis King plays the role in tiara and gown, and flutters an imperious fan with the regal disdain of a queen of players. At no other point does the play rise to this level of theatricality. Salome Jens adorns the evening physically as a Russian Mata Hari, but she delivers her lines like a fishwife. As for Maximilian Schell, he is frostily remote. Director Peter Glenville doubtless tried...
...actually out of the ordinary. Nowadays, specials are so predictably unspecial that NBC alone has announced more than 100 for next season. Among the most ambitious is a production of David Copperfield starring Laurence Olivier, Michael Redgrave, Emlyn Williams and Dame Edith Evans. The most regal spectacular from CBS will be Royal Family, a peek at Queen Elizabeth and her kin. Jacques Cousteau's undersea documentaries will continue to shine...
...Glory, the prim but game Rosie in 1951's African Queen, the indomitable Eleanor of Aquitaine in 1968's The Lion in Winter. Yet nothing could capture the essential Hepburn better than her pose in the 1939 Broadway production of The Philadelphia Story, as cool and serenely regal in slacks and blouse as Botticelli's Venus...