Word: refeison
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...Refeison builds this complicated potpourri on bogus techniques. Again and again he cuts into the middle of a scene, in an overcalculated bid for involvement. Or he mystifies with new angles until perspective exposes the banality of his subject. This is tinplate Godard, confusing instead of intellectually surprising. Take for instance, the scene of David's train arrival. He steps onto a deserted platform and confronts a raucously singing spike-heeled floozy who throws open her fur coat to reveal a chintzy Miss America costume. Then four creatures who look like skid row relics show up with battered horns...