Word: realism
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Hollywood can proceed to the ultimate in cinematic realism by using a hemispherical screen and central projector (as in a planetarium), by using an annular lens (as sometimes used on submarine periscopes), which presents a doughnut-shaped picture to the eye (or camera) covering 360° around the horizon, and practically to the zenith. This picture, projected back through the same type of lens, would recreate the original scene; the camera could project downward from the center of the theater, and could include two such lenses in a polarized system on a common axis for 3-D; also the vibrating...
...Eddy has the answers. For one thing, his last two romantic pictures, Knickerbocker Holiday (1944) and Northwest Outpost (1947), were box-office flops. "The movie people told me that the cycle of light romantic operas was at an end," he says. "The war had made people want realism." Nevertheless, he felt that Naughty Marietta, his first of nine films with Jeanette MacDonald, had the right formula. "We should have made more obvious sequels to that one-such as Son of Naughty Marietta...
Still-Lifes & Laundry Bills. Eddie (no one ever called him anything else) liked realism. "I am . . . a consistent and brazen supporter of what is now slightingly called representational art," he once said. But much of what he collected was considered daringly modern and experimental at the time. In last week's show there was a boldly patterned Duncan Grant still-life called Parrot Tulips, an Ivon Kitchens and a moody Graham Sutherland that Eddie picked up before any of the painters was recognized. He bought Sculptor Henry Moore's early sketches of sad, nude women, a beautiful Augustus...
...Sica have given the world some of the finest movies ever made. They gave Italy a major industry, and treated moviegoers everywhere to the likes and looks of fiery Anna Magnani and smoky Silvana Mangano. Italian painters and sculptors, artistically confined under the Fascists, have broken free. The earthy realism of such Italian novelists as Moravia, Berto...
...Giovanni Verga, the Sicilian novelist and playwright, is surely the greatest writer of Italian fiction after Manzoni," said D. H. Lawrence. Between the two,'born half a century apart, runs the great divide of 19th century European literature, on the one side romanticism, on the other realism. If Manzoni is Italy's Hugo, Verga is its Flaubert, and its Zola too. Now the finest of Verga's novels, I Malavoglia, is introduced to U.S. readers as The House by the Medlar Tree. The Malavoglia are a family of boatmen. Verga's is the plain tale...