Search Details

Word: realism (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...finds them. "I am a blotter," says he. "I have no scruples about stealing wherever I can and adapting what I have taken to my own expression." As a result, Gonzalez has gone in for about every kind of artistic approach that has been invented: impressionism, expressionism, abstractionism, realism, surrealism. Last week at Cleveland's Western Reserve University, where he is now teaching, Gonzalez proved his versatility with an exhibition of the best of his work of the last ten years...

Author: /time Magazine | Title: Art: Versatile Blotter | 3/22/1954 | See Source »

Slice of Life. Dragnet's realism is simply a byproduct of Webb's lust to entertain. As director, story editor, casting chief and star of the show, he purposely refrains from dramatic artifice, and thus achieves a different kind of dramatic effect. Seldom has the slice-of-life technique of storytelling been so successfully transmitted to film. Dragnet is not a whodunit at all, and both murder and the sound of gunfire are rare on its shows. Webb sometimes produces truly frightening effects (as in The Big Jump, a film in which he struggles with a madman...

Author: /time Magazine | Title: Radio: Jack, Be Nimble! | 3/15/1954 | See Source »

...Realism & Quality. Webb shot his first picture in two long days. When he looked at it he began realizing with growing horror that it would be seen by armies of viewers on ten-inch television screens. He spent two extra days of shooting to achieve an effect which has become one of his trademarks: in every possible situation he told his story with closeups. The Human Bomb was a smash hit-with his sponsors, the critics and the public. In the 2½ years since-years of increasing success and acceptance-Webb has achieved Dear miracles in combining speed...

Author: /time Magazine | Title: Radio: Jack, Be Nimble! | 3/15/1954 | See Source »

Attempted naturalism is the issue's real downfall in S. W. Thompson's The Alcohol, and Eugene Higgins' excerpt from The Sons of Darkness. Thompson makes a stab at slipping a little social commentary into a picture of lower-class life, but defeats his own attempt at realism by a ludicrous overuse of profanity, bad grammar, and irrelevant detail. Higgins' story has little to recommend it. It is juvenile in its forced attention to detail and never really reaches the reader...

Author: By John A. Pope, | Title: The Advocate | 3/6/1954 | See Source »

...oddly enough, the rioters prove to be idealists who have gained little for their troubles. Riot in Cell Block 11 concludes on a note of sour realism in harmony with its previous tone. Though the film's propaganda remains both pure and laudable, for entertainment value this is hardly an unmixed blessing...

Author: By Dennis E. Brown, | Title: Riot in Cell-Block Eleven | 3/4/1954 | See Source »

First | Previous | 446 | 447 | 448 | 449 | 450 | 451 | 452 | 453 | 454 | 455 | 456 | 457 | 458 | 459 | 460 | 461 | 462 | 463 | 464 | 465 | 466 | Next | Last