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...hadn’t even heard of Sutzkever, a famous Yiddish poet, until I had shopped a Jewish Studies class, and it was my Google Reader that led me to Auchincloss, a lawyer and social observer. As a government concentrator at Harvard, I was never exposed to these cultural contributors. As I read about these men, a part of me regretted my failure to recognize their accomplishments while they lived, and a part of me admired and, at the same time, felt sorry for the obituary writer who had to select the most important and interesting moments of each person?...

Author: By Alina Voronov | Title: The Dead Writer's Society | 2/24/2010 | See Source »

...American Dream.” The comfortable amenities of bourgeois existence have drained the characters of meaningful “substrata” as well as worthwhile exterior vocations. While Roth successfully dramatizes how American values leave his characters trapped in hollow nether lives, all the reader is left with is an aftertaste of tired irony. None of the characters share any significant connections with other people. “American Pastoral” shows a bitter landscape of spiritual aridity in which Roth’s sardonic probing almost dehumanizes his characters. The overbearing irony of Roth?...

Author: By Theodore J. Gioia, CONTRIBUTING WRITER | Title: Studying 'American Pastoral' to Understand 'The Road' | 2/23/2010 | See Source »

...father and son. Where Roth and many other contemporary novelists write about an ironic and dehumanizing world that leaves characters externally disconnected and spiritually enervated, McCarthy embraces humanity in all of its weakness, madness, and strength. Some people may find detailed digressions on spiritual exhaustion profound, but this reader found it merely exhausting...

Author: By Theodore J. Gioia, CONTRIBUTING WRITER | Title: Studying 'American Pastoral' to Understand 'The Road' | 2/23/2010 | See Source »

...slowly bringing us around to his side--is the sort of thing Hill does best. It's also what's missing from so much of the girl-meets-vampire gruel that dominates the genre these days. "The writer's first job in horror fiction is to convince the reader that there is a real person there to care about," says Hill. "If you don't have that, you don't have anything...

Author: /time Magazine | Title: The Devil's Due | 2/22/2010 | See Source »

...Winter’s Night a Traveler,” and the distorted views of Venice in “Invisible Cities” find their match in Mason’s ever-refracted portrait of Odysseus. Both authors leave the reader with the task of sorting through their sketches. Like Calvino, Mason trades in shadows...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Mason Reinvents Homer’s ‘Odyssey’ in ‘The Lost Books’ | 2/17/2010 | See Source »

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