Word: rather
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...Rather than looking at a situation in terms of racial profiling, Yale law professor Tracey L. Meares said we should see two areas of police action: lawfulness and legitimacy. “When we think only in terms of lawfulness and unlawfulness, then there is no vocabulary and no capacity to deal with an African American man or anyone else who is reacting to a situation and calls it racial profiling,” said Meares...
...their vigilante mission to the masses—just before spilling the blood of smug Italian mob boss “Papa” Joe Yakavetta in front of a crowded courtroom. “All Saints Day” reveals that the family has since been leading a rather idyllic life in their native Ireland. But as Il Duce says, “peace... is the enemy of memory,” and the twins—sporting a pair of hilariously rugged beards—seem ready to return to a less sedentary lifestyle. They receive their calling...
...franchise has chewed through writers, directors, characters, and plot devices with the inhuman precision of one of John Kramer’s grisly traps. The formula is so powerful (read: profitable) that it exists outside any single creative mind; it is clearly a product of a studio, rather than an author. The latest installment shows that while “Saw’s” appetite for mutilation and dismemberment is unlimited, its supply of original material...
...foreign landscapes.Christopher D. Chang ’12, a violist who performed in the concert, says that the ensemble’s style of playing was a refreshing change from the often sterile performance of Western works. “We learned by interacting and playing with each other rather than analyzing the music to death,” he says. “It was less about the quality of the sound than about the colors we created.”The audience’s thrill—evoked by the musical world the ensemble showed them?...
Nearby, painted wooden slaves work at routine tasks. There are also bakeries, granaries, and tables laden with food—Djehutynakt apparently spared no daily comforts when planning for the afterlife. The statues are rudimentary. The slaves walk with stiff, jointless limbs, and their figures seem to lurch rather than to move. Despite their rigidity, the figures exude a captivating energy. Several models show slaves feeding oxen, the prostrate beasts reaching their heads forward to the hands of the kneeling slaves. This is an aspect of Egyptian life not captured in the impersonal statues of kings...