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Taylor gets help from a cast of unusual depth, in which the military hero (Michael Rapposelli), the middle-aged couple (Bill Tomic and Sue Bear) and the three "proteans" (Henry Biggs, Suzanne Tanner, and Tracey Trench) especially stand out. The latter set of characters show great comic versatility in moving among several jester-type roles: they are, in order, clowns, slaves, travelers, and foot soldiers, playing buffoons with enough restraint to keep from becoming annoying...

Author: By David L. Yermack, | Title: Roman Revelry | 11/9/1983 | See Source »

...person who has helped Robinson improve his work at Harvard is Michael Rapposelli '84, "I have been able to look to him for inspiration these last two years more than anyone else," says Robinson. "He understands my personality. He's a trained singer and a damn good actor. Thousands of times I've done things wrong and no one other than Michael had the insight to realize that it was wrong. And he's called...

Author: By Meredith E. Greene, | Title: Hoofin' at the Puddin' | 6/9/1983 | See Source »

...plotline, though as irrelevant as usual t the rest of the proceedings, goes basically as follows. Heroine Angela Mercy's adlun Issacs) arrives in Collier Bluff to claim the untapped mind. The Patco Strike"--that belonged to her late her late father, Evan But Yuvantsum (Michael Rapposelli)--who incidentally something like A. Barilett Giamstti. Angela and Gustave acquire allies for her, the wimpy hotel proprietor Heat A. Nytheguy (John Stimpson) and heroic intervener Dwight Turheto. (Brooks Whitehouse): for him, mistress Helen Highwater (Terry, Ray, Robinson, town marshal Annie Gitchergun (Rick Reynold) Festus Gunnsinawest (Jonathan Isham). and old flame Micheal Loud...

Author: By Paul A. Engelmayer, | Title: Roar of the Greasepaint | 2/23/1983 | See Source »

...philosophy. Avoiding the didacticism of hammering home a single point--the misery of the downtrodden--Terkel instead has culled enough of a range of happiness and unhappiness from his interviewees to stir the emotions without demanding any clear reaction. For every openly frustrated speech--like the steelworker (Michael Rapposelli) who wants desperately to get out of work and "go tell some guy fuck you," because he can't tell his boss--there is a dreamer like Anthony Calnek's stonemason, who notices the crooked bricks in every house he has ever built, and glories in the nobility of the work...

Author: By Amy E. Schwartz, | Title: It Works | 10/26/1982 | See Source »

...Michael Rapposelli as Ma Belle, mother of the English noble hero nearly stops the show each time he opens his mouth. He plays the buxom mom (this year, it's Mae-West-Goes-to-Brooklyn), and Rapposelli milks the show's best part for all it's worth. What's more, his stage presence carries over to his singing, with a superb voice that resounds throughout his all-too-infrequent songs...

Author: By Jeffrey R. Toobin, | Title: A French Quiche | 2/25/1982 | See Source »

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