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...Ford engines made it the most powerful boat in the race. For competition, there were 32 other boats. General Motors pinned its hopes on Allied 36 and Allied GX, a pair of 40-ft. monsters powered by twin 315-h.p. G.M. diesels. From Louisiana's Gulf Coast came Ragin' Cajun, a 32-ft. diesel whose skipper announced: "This is a work boat, the kind we use to take workers out to the offshore oil rigs. We aim to beat the pants off them gentlemen drivers." But the Bertrams' most dangerous challengers were nine Formula 233s, fiber-glass...

Author: /time Magazine | Title: Powerboat Racing: V for Victory | 4/17/1964 | See Source »

Most of the supporting roles are in admirable hands. John Ragin offers a cleanly acted and crisply spoken Octavius; Morris Carnovsky rounds out resourcefully the sketchily-drawn Lepidus, a V.I.P. who's not V.I.; and Clayton Corzatte is touching as Antony's attendant Eros. Earle Hyman makes deep music of Alexas' lines; and throughout long silences he shows himself the master of what the late Ethel Barrymore called 'perhaps the highest art of an actor--the art of beautiful listening" (he is less effective doubling as the asp-smuggling Clown...

Author: By Caldwell Titcomb, | Title: Antony and Cleopatra | 8/4/1960 | See Source »

Joyce Ebert's compassionate Miranda and John Ragin's gallant Ferdinand are highly affecting. Their first meeting is one of the most sublime in all theatre, surpassed only perhaps by that of Siegfried and Brunnehilde in Wagner's Ring. In the log-toting scene, it is a lovely touch to have Ferdinand caress a log in his arms as he ruminates over his beloved, and then have Miranda embrace the same log out of bashfulness during their ensuing duologue. (Another inspired bit comes at the end when Prospero gives Ariel his much-desired freedom: here the fingertips...

Author: By Caldwell Titcomb, | Title: The Tempest and Twelfth Night | 7/5/1960 | See Source »

...performances themselves are excellent almost down the line. Nancy Wickwire gives us a radiant Helena; and if she does not show quite the blazing drive desired, she does still bring a good deal of the proper Shavian sheen to the part. John Ragin, moving from a series of small parts to take over the important and impossible role of the scornful cad Bertram on very short notice, showed no visible signs today of trouble, and will doubtless continue to make a favorable impression...

Author: By Caldwell Titcomb, (SPECIAL TO THE HARVARD SUMMER NEWS) | Title: All's Well That Ends Well | 7/30/1959 | See Source »

...Stenka Ragin", Symphonic Poem, Opus...

Author: NO WRITER ATTRIBUTED | Title: Sanders Theatre Concert | 1/15/1930 | See Source »

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