Word: radiohead
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Dates: during 1990-1999
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...Lady Peace's live performance magnified their level of ostentatious posturing. Lead singer Raine Maida achieved neither the dreamy falsetto of Radiohead's Thom Yorke nor the endearing whininess of Smashing Pumpkin's Billy Corgan, but instead settled for a lesser euphony in between. Unlike tours associated with their previous albums Naveed and Clumsy, Maida spent much of the set without a guitar in his hands. Instead, he stumbled around the stage with a placid stare of indifference temporarily disturbed from time to time by unconvincing posture. New keyboardist Jamie Edwards followed Maida's scales precisely on the Moog...
...everything and lets us choose. But we can't play anything too extreme---except late-night." If it was up to his tie-dyed coworker, Tessabelle Walker, "The only thing that would be playing is bootleg Phish and the Dead." Other Toscanini's staples include Portishead and Radiohead---and the microsundae...
...latest, live album Art of the Trio 4: Back at the Vanguard, Mehldau wages his battle against jazz sophistry, playing everyone from Jerome Kern and Oscar Hammerstein III ("All The Things You Are") to Radiohead ("Exit Music (For A Film)", the perfect Harvard-Yard-on-a-rainy-day ballad) to Miles Davis as well as many of his own originals. Not surprisingly, on this more rockin' than swingin' installment of the piano/bass/drum combination, not so much more than a few prickles of the late Evans can be felt. But so can a bit of the Well-Tempered counterpoint...
Picking "the next Radiohead" may soon replace cricket as the British sport that no one else seems to understand. Muse, a trio of typically dour young lads, is the latest band unfortunate enough to be yoked with such lofty comparisons. After nearly sparking a religious revival among the British music press, Muse are hoping the success of Showbiz, their debut album, doesn't get held up in customs on the way to the States. But while Muse's mix of reedy vocals, simmering guitars and slinking keyboards burns with an intensity and focus that at least vaguely justifies the Radiohead...
...never dour. Nearly every track has the liquid warmth of a freshly shed tear. This 28-year-old pianist is a wonder at weaving together musical traditions. On his last album, playing in a trio, he performed a moving jazz rendition of a song by the art-rock group Radiohead; on this CD, playing solo, he smoothly merges jazz improvisation with classical piano. A few of the tracks search for meaning and melody, but on songs like Resignation, Mehldau achieves an almost spiritual resonance, chords echoing like amens...