Word: rabbit
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Dates: during 1990-1999
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...player and a computer screen in its face will do to traditional narrative. They'll speed it up, scramble it--and render it in new tonalities, using new palettes. You can see it in the way Pulp Fiction or Run Lola Run toys with time, in the down-the-rabbit-hole goofing of Being John Malkovich, in Keanu Reeves' encounter with that manic bullet in The Matrix. It's a kind of back formation from computer language, this narrative revolution manifesting itself in film. But it surely partakes of the new machine's ability to cast us adrift in ungrounded...
...THREE KINGS Calculated brutality and mindless consumerism exist side by uneasy side as American soldiers search for gold and find postmodern anarchy in the Gulf War's aftermath. Writer-director David O. Russell's electrifying trip down the rabbit hole is bruising, amusing, scary, yet finally very moving...
...exhibit spans three rooms and 20-odd paintings Rothenberg produced in her New Mexico studio. In Dogs Killing Rabbit (1991-92), two dogs rip apart a rabbit as the dislocated outlines of human faces look on in horror. Four horse legs, familiar imagery to Rothenberg followers, loom above. The violence of the scene is captured in the hot, thrashing colors: the magenta of the horse's hooves, the reds and browns of the bloody bunny. The presence of the human heads in the upper right corner draws the viewer into an active engagement with the painting: as you observe...
...Phua Lindsay J. Pindyck Giselle J. Pinto Nicholas J. Pinto Peter D. Platt Luke C. Platzer Rachel W. Podolsky Eli A. Poliakoff Gabriella L. Pollack Taylor L. Pollack Courtney F. Powell Ignacio Prado B. Aviva Preminger Alexandra Price Jennifer L. Pusey Due M. Quach Lexer I. Quamie Erica P. Rabbit Corilee K.A. Racela Kristen E. Radcliff Elizabeth A. Raizes Adam J. Rambert Courtney D. Rein Sara D. Reistad-Long Philip B. Renton Jed I. Resnick John T. Reuland Spencer G. Rhodes Sharifa Rhodes-Pitts Emily A. Rippe Paula C. Ro Ann S. Robinson Julie A. Roden Jocelyn M. Rodgers Elizabeth...
...fabulous job of doubling dialogue and repeating each other with static variations. Coupled with the aimless chatter of the Stenographer (Kate Agresta '02) and the Telephone Girl (Thandi Parris '01), an environment of alienation is complete. Everything about this world is artificial, including the commotion when Helen (Erica Rabbit '00) enters the room. The boss has a strange affinity for her and her hands, despite her neurotic and repressed personality...