Word: quintero
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Dates: during 1950-1959
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...Stage Manager in Thornton Wilder's Our Town (NBC). "Nothing should stand out about this guy," said Carney about his role, and he may have carried a good judgment too far, was sometimes too emotionless compared to the rest of the cast, directed by José Quintero with the same intensity that he brought to O'Neill on Broadway. The play itself once again emerged as an unfailingly touching, tender hymn to life...
...first Shakespearean assignment, director Jose Quintero made some miscalculations; but some of his staging was ingenious and effective, such as the scenes involving the spine-chilling trio of Weird Sisters. The show was visually gripping; and much of the credit must go to the lighting of David Hays '52, which was as inspired as I have seen in a long time...
...staged by Director Jose (Long Day's Journey into Night) Quintero, the tragedy emerged a moving mixture of sound and fury, dark plots, and love destroyed by desperate ambition. The night was filled with Quintero's sound effects-the frantic music of bagpipes, thunder, the clangor of horses' hoofs, bells, and. in the sudden striking silences, the rasp of crickets. Armies fought across the front of the vast Elizabethan stage with such intensity that those in front-row seats pulled back in alarm. Offstage entrances brought the action into the far reaches of the theater; Macbeth strode...
...great deal of the play's aura of horror is captured in the current Cambridge Drama Festival production, directed by Jose Quintero. This is young Mr. Quintero's first Shakespearean assignment, although he has wrought several nearmiracles with modern American works. And he has attacked Macbeth with freshness and, at times, audacity. He has given us a sufficiently fast-moving production of Shakespeare's fastest-moving play. The theatre quivers with excitement as characters swirl about the set, and race up and down the aisles to envelop the audience in the action (though this is carried somewhat to excess...
...makes one further appearance, in defiance of tradition. When Seyton informs Macbeth of her suicide, Quintero, acquiescing to Robards' request, lets Macbeth exit and re-enter with his dead wife in his arms before delivering his "She should have died hereafter" soliloquy...